• Folaranmi, S. 2020. Metaphor in local architecture. Panelist on the 2020 Virtual Interactive Series organised by the Architecture & Urbanism Research Hub, University of Lagos, Nigeria, 25 June 2020

• Hwati, M. 2020. On Ngoromera and Sculpture as Sound. An online interview by Mayela Rodriguez.UMMAMuseum:https://www.youtube.com/watch?v=VD_G4EuXXQM&feature=you tube

• Hwati, M. 2020. Carbonara, M & The A.W.E Society. 2020. Live broadcast: improvisation with vibraphone, voice, movement and snare. Tympanum Michigan: https://www.youtube.com/watch?v=ObAHgMCG_sE&app=desktop

• Ijisakin, T. 2020. African Studies Association’s 63rd Annual Meeting, held virtually between November 19-21, 2020. The title of the work I presented is “Female Forms as Visual Narratives: A Critical Analysis of Selected Works of Printmakers in Nigeria

• Muchemwa, F. V. 2020. We Buried Us. Rapid Response: https://en.calameo.com/artafrica/read/004836191acca3a94a642?authid=aLKxVomwf Pft (Art Africa's digital edition).

• Muchemwa, F. V. 2020. Kwandinobva. Mostaff Muchawaya's solo exhibition at SMAC Stellenbosch: https://smacgallery.com/exhibition/mostaff-muchawaya-kwandinobva/

• Muchemwa, F. V. 2020. ICI alumni for the Independent Curators International exhibition. Notes forTomorrow: https://curatorsintl.org/exhibitions/notesfortomorrow#:~:text=%20Notes%20for%20Tomorrow%20%201%20INVASORIX%2C%20Nadie, 1440x1080%2C%2024fps%2C%2050Mbps%29.%20Courtesy%20of%20the...%20More%20

• Muchemwa, F.V. 2020. Gladys Kalichini….these gestures of memory (Catalogue), Verlag Kettler, Germany.

• Mulenga, A. 2020. Mulling over Art with Andrew Mulenga weekly column in The Mast Newspaper (Print run 50,000 copies countrywide and Mast Online: https://www.themastonline.com/author/andrewmulenga/

• Mulenga, A. 2020. Dhaka Art Summit Catalogue, published by the Samdani Foundation, Dhaka, Bangladesh

• Muvhuti, B.T. 2020. Coded Inscriptions: Blessing Ngobeni's Chaotic Pleasure. ARTTHROB_: https://artthrob.co.za/2020/07/06/coded-inscriptions-blessing-ngobenis-chaotic-pleasure/

• Muvhuti, B.T. 2020. Aaron Samuel Mulenga: The Power of Black Art and Representation. Sugarcane Magazine: https://sugarcanemag.com/2020/06/aaron-samuel-mulenga-the-power-ofblack-art-and representation/?fbclid=IwAR0eJ352E5kv4LdvF3gal19ci7A3z8IIqF1hOKyV7fVoCHE8DEKxd3 1rCug

• Muvhuti, B.T. 2020. Essential Work: Jabulani Dhlamini's 'the everyday waiting'. ARTTHROB_: https://artthrob.co.za/2020/09/21/essential-work-jabulani-dhlaminis-theeveryday-waiting/

• Muvhuti, B.T. 2020. From the Vault, part of the Stellenbosch Triennale: An interview with curators Gcotyelwa Mashiqa and Mike Tigere Mavura. AFRICANAH.ORG: https://africanah.org/from-the-vault/

• Muvhuti, B. T. 2020. Virtual National Arts Festival a blow to the economy of Makhanda. City Press:https://www.news24.com/citypress/Voices/virtual-national-arts-festival-a-blow-to-theeconomy-of-makhanda-20200422

• Muvhuti, B. T. 2020. Aaron Samuel Mulenga: The Power of Black Art and Representation. Sugarcane Magazine: https://sugarcanemag.com/2020/06/aaron-samuel-mulenga-the-power-ofblack-art-andrepresentation/?fbclid=IwAR0eJ352E5kv4LdvF3gal19ci7A3z8IIqF1hOKyV7fVoCHE8DEKxd3 1rCug

• Muvhuti, B.T. 2020. Wallen Mapondera: An exhibition which translates ordinary Zimbabweans' survival strategies in the face of economic hardships. AFRICANAH.ORG: https://africanah.org/wallen-mapondera-2/

• Muvhuti, B.T. 2020. Ronald Muchatuta: Tackling African Migration - a contentious social issue of our time. Published by The Melrose Gallery for the 2020 Stellenbosch Triennale.

• Tello V and Baker Smith, D. 2020. ‘Origins, Openings and Orifices’, performance lecture for the National Gallery of Australia, July 11 2020 [delayed due to Covid-19].
• Simbao, R. 2020. Plenary Talk: "Resisting Soft Power, Subverting Solidarity: Visual Narratives of Chinese Presence in Zambia". AfricAsia: Overlooked Histories of Exchange, a collaboration with the National Museum of African Art, 14-16 September 2020. (Online Symposium).

• Zhang, L and Yuan, M. 2020, “Cold War, Afro-Asia Literature Movement and the translation of African Literature in China”, The Paper. Available at: https://www.thepaper.cn/newsDetail_forward_8788202.

• Barnabas Ticha Muvhuti in conversation with Zimbabwean artist Kresiah Mukwazhi. 2019. Africanah.org

• Barnabas Ticha Muvhuti in conversation with the South African artist Viwe Madinda. 2019. Africanah.org

• Site of Memory: Berni Searle’s ‘A Place in the Sun, Berni Searle. Arthrob, By Lifang Zhang & Barnabas Ticha Muvhuti, 2019

• African Sculpture. Takadiwa's mission is to change the world through unique art: The Zimbabwean artist uses remnants of consumables such as perfume containers and bottle for his trademark sculptures, Business Day, 4-5 October 2018, By Barnabas Ticha Muvhuti

• Artworks speak where words fail, The Herald, 7 September 2018, by Brunn Kramer

• Igniting public space at the Chale Wote street art festival in Accra, 2018, by Ruth Simbao

• Installation view: Chale Wote Festival 2018 (The 8th Chale Wote street art festival took place in James Town, Accra in Ghana from 20 – 26 August 2018), by Ruth Simbao

• Capturing the Soweto Uprising: South Africa’s most iconic photograph lives on, 2018, by Ruth Simbao

• Interview with Zimbabwean born artist Richard Mudariki, Malta ArtPaper, (Feb-April 2018 issue), pp.29-30, Interview by Barnabas Ticha Muvhuti

• Art auction houses: the National Arts Festival’s sore thumb!, 2018, by Barnabas Ticha Muvhuti

• Does overexposure of the black female body draw it closer to a sell-by date?, 2018, by Andrew M. Mulenga

• Black Privilege, 2018, by Andrew M. Mulenga

• Gathering Strands, 2018, by Andrew M. Mulenga

• Of existential angst and F-bombs, 2018, By Andrew M. Mulenga

• My Experience of the National Arts Festival 2018, 2018, by Aaron Samuel Mulenga

• The Complexity of Erasure: Omogbai’s Absence, 2018, by Gladys Kalichini

• Black modern art exhibited outside the De Beers Centenary Art Gallery for the first time, 2018, by Barnabas Ticha Muvhuti 

• Conversations around the Fort Hare Artistic Collection and the Umtiza Arts Festival, 2018, by Stephen Folaranmi   

• Pemba's prodigal sons: Exegeses for forgiveness?, 2018, by Andrew Mulenga

• Opening of the exhibition De Beers Centenary Art Collection Revisited in East London , 2018, by Lifang Zhang

• Review of Lucas Sithole’s Manzitoti (1985) and Mother and Child (1963), as part of the De Beers Centenary collection at the Ann Bryant Main Gallery, 2018, by Natasha Bezuidenhout

• The Art of Life in South Africa by Daniel Magaziner Ohio University Press, Athens, Ohio. New African Histories series, 2016. 377 pp., by Eyitayo Tolulope Ijisakin, African Arts, Autumn 2018, Vol. 51, No. 03, pp. 95–96

• Yoruba Studies Review volume 2 (2), 2018, review by Stephen Folaranmi 

• Publications, art criticism, research may help ascribe value as demand for contemporary African art increases, 2018, by Andrew Mulenga

• Impressions: Andrew Tshabangu's Footprints?, 2017, by Philiswa Lila

• Overlaps and Organisms: Beth Diane Armstrong’s ‘in perpetuum’: Beth Diane Armstrong, 2017, By Jean-Sylvain Tshilumba Mukendi

• Singing History: Dineo Seshee Bopape’s ‘Sa Koša Ke Lerole’: Dineo Seshee Bopape, 2017, by By Jean-Sylvain Tshilumba Mukendi

• Bearers of Memory: Georges Senga Assani’s ‘Cette maison n’est pas à vendre et à vendre’: Georges Senga Assani, 2017, by Jean-Sylvain Tshilumba Mukendi

• A Song of Uhuru and a Difficult Dance: Anawana Haloba’s Sound Memories of TAZARA , 2017, by Ruth Simbao 

• Street Slang and Visual Improv: Gareth Nyandoro’s Kuchekacheka (Armory Show, New York, 2017)Street Slang and Visual Improv: Gareth Nyandoro’s Kuchekacheka (Armory Show, New York, 2017), by Ruth Simbao and Masimba Hwati 

• Located on an Oblique Slanting Line: Thania Petersen’s Remnants (2017) Exhibition text for Remnants (Everard Read Gallery, Cape Town, South Africa), by Ruth Simbao

• Performing Stillness in Order to Move: Mohau Modisakeng’s Becoming (2016), by Ruth Simbao 

• Portraits of ‘the deathlessness of cloth’: Leonce Raphael Agbodjélou’s Egungun Masquerades series (2015), by Ruth Simbao

• Positioning Noko: Unearthing the ‘cosmo’ in the ‘local’, by Ruth Simbao

• ‘‘Africa’ and consumption in a vertiginous world (Cape Town Art Fair Special Project), by Ruth Simbao

• Cleansing via the senses as eyesight follows the soul: Igshaan Adams’ “Bismillah” performance (2015), by Ruth Simbao

• Review of Figures & Fictions: Contemporary South African Photography exhibition catalogue edited by Tamar Garb (2012), by Ruth Simbao 

• A sense of pause: Ruth Simbao interviews Nandipha Mntambo (Standard Bank Young Artist Award Exhibition Catalogue, 2011)

• Afri thing is not what it seems / A cena Afri nao e o que parece / El panorama afri no es lo que parece (longer version). Portuguese, Spanish and English. Gulbenkian Foundation, by Ruth Simbao 

• Umtshotsho: Nicholas Hlobo at Monument Gallery, by Ruth Simbao 

• James Webb, One day, all of this will be yours, by Ruth Simbao

• Infecting the City (Performance festival review, 2009), by Ruth Simbao 

• Bili Didjocka and Meshac Gaba at Goodman and Stevenson, South Africa (2009), by Ruth Simbao

• Berni Searle review (Stevenson Gallery, Cape Town), by Ruth Simbao

• Konse Kubili (Kalinosi Mutale and Anawana Haloba) Exhibition Review, Henry Tayali Art Gallery, Lusaka, Zambia, by Ruth Simbao

Last Modified: Wed, 01 Dec 2021 11:47:34 SAST