“Symbolic mobility of what we call jazz”
Since South Africa emerged from cultural isolation, the challenges of a globalised jazz industry has led to live performance becoming the dominant means of expression. Black jazz artists express performance confidence in ways very different to their fellows who were performing under the harsh apartheid laws, says Professor David Coplan of Wits University.
"The time in SA when the ideas underlying music get their most vigorous airing"
Today (January 18) is the second and final day of the Rhodes University History, Politics and Aesthetics of Jazz Conference: an opportunity for scholars to draw together the various threads of inquiry that currently characterise the study of South African jazz culture.
“Segregation functioned as a structural condition for the emergence of jazz”
The emergence of jazz as a genre at the same time as the “Jim Crow” segregation laws were enacted in America, came under the spotlight during the keynote address delivered by Ingrid Monson, Quincy Jones Professor of African-American music at Harvard University, at the “Histories, Aesthetics and Politics of South African Jazz” Symposium held at Rhodes.