PRISCILLA HALL The final concert of the Grahamstown Music Society's 2011 series, on Tuesday 18 October, is an entirely French programme of chamber music from Paris, played by Grahamstown's own musical heroes.
Since South Africa emerged from cultural isolation, the challenges of a globalised jazz industry has led to live performance becoming the dominant means of expression.
Black jazz artists express performance confidence in ways very different to their fellows who were performing under the harsh apartheid laws, says Professor David Coplan of Wits University.
Today (January 18) is the second and final day of the Rhodes University History, Politics and Aesthetics of Jazz Conference: an opportunity for scholars to draw together the various threads of inquiry that currently characterise the study of South African jazz culture.