PUBLICATIONS

• Pogoson, Ohioma; Adeduntan, Kayode and Akande, Abiodun. 2016. “Ritual, Art and /Physics? Seven Rare Wooden Oro Bullroarers in the Collection of the Institute of African Studies, University of Ibadan, Nigeria.” West African Journal of Archaeology, 46 (1 & 2), pp.45-70.

• [Akande, Abiodun]. Pogoson, Ohioma and Akande, Abiodun. 2014 “Photography: Tool for Historical Records in Nigeria.” ABIBISEM: Journal of African Culture and Civilisation. Department of History, University of Cape Coast, Ghana 5(6), pp.92-113.

• Akande, Abiodun. 2014. “Iconology of the Equestrian Figure in Yoruba Wood-Carving.” The Emergence: The Nostalgia. The Paintings and Drawings of Kolade Salami Oakley. Edited by Emi, R. A. Ibadan: Alliance Francaise with Lucid Publications Limited, pp.63-78.

• Akande, Abiodun. 2013. “A paradigmatic Study of the Forms and Imageries of Bruce Onobrakpeya: A remedy for Authentication.” Arts Courier: African Journal of Arts and Ideas, Society of Nigerian Artist, Ekiti State10, pp.74-101.

• Pogoson, Ohioma & Akande, Abiodun. 2011. “Ifa Divination Trays from Isale-Oyo.” Cadernos De Estudos AfricanosISCTE, Instituto Universitario De Lisboa, pp.15-41.

• Pogoson, Ohioma & Akande, Abiodun. 2011. “History of Photography in Nigeria with Bias to South-western Nigeria.” Photography in History, History in Photography: The Icons of Dotun Okubanjo. Edited by Pogoson, O. I. Ibadan: Institute of African Studies, University of Ibadan, pp.19-48.

• Pogoson, Ohioma & Akande, Abiodun. 2011. “Syntheses of Cultures and Sensibilities: The Expressions of Moyo Ogundipe.” Life’s Fragile Fictions: The Drawings and Paintings of Moyo Ogundipe. Edited by Pogoson, O. I.  Ibadan: The Institute of African Studies, University of Ibadan, Ibadan, pp.11-18.

• Pogoson, Ohioma & Akande, Abiodun. 2010. “I?ro?ke?: Icon, Instrument and Insignia of Ifa?”, Ibadan Journal of European Studies (IJES), University of Ibadan, Ibadan, Nigeria, 10, pp.53-82

• Akande, Abiodun. 2008. “Problems and prospects of teaching Fine Arts in Oyo federal constituency: An empirical study.” Arts Courier, African Journal of Arts and Ideas, Society of Nigerian Artist, Ekiti State 6, pp.37-48.

• Akande, Abiodun & Makinde, Solomon. 2005. “Four New Heirs of Onaism: Their Lives, Works and Influences.” Contemporary Issues in Nigerian Art: Its History and Education. Edited by Aremu, P.S.O. et al.Department of Fine Arts Obafemi Awolowo University, Ile Ife, pp.296-305.

• Akande, Abiound & Aremu, Gabriel. 2004. “Historical Controversies on the Origin of the Abogunde Carvers Lineage in Ogbomoso.” Arts Courier: African Journal of Arts and Ideas, Society of Nigerian Artist, Ekiti State 3, pp.75-85.

• Akande, Abiodun. 2003. “Issues on Yoruba Aesthetic Terminologies.’ Nigerian Arts Reflections: A Journal of the Society of Nigerian Artists, Oyo State 3, pp.34-38.

• Akande, Abiodun. 2003. “Environmental Factor as a Catalyst for Artistic Creativity. Technology Education and Environmental Issues in Nigeria. Edited by Oladimeji, T.A.G.; Ibeneme, O. T.; Akinseinde, S. I.; Ogunyemi, M. A. & Tukura, H. M. Federal University of Technology, Minna, National Association of Teachers of Technology, pp.406-409.

• Aremu, Gabriel & Akande, Abiodun. 2004.“Developments in the Oyo Gourd Carving Traditions.” The Thumbprint: Journal of the Department of Art, Design and Printing Technology, Ibadan, The Polytechnic, Ibadan 2, pp.48-51.

• Aremu, Gabriel & Akande, Abiodun. 2004. “Historical Controversies on the Origin of the Abogunde Carvers Lineage in Ogbomoso. Arts Courier: African Journal of Arts and Ideas, 3, pp.75-85.

• Akande, Abiodun & Kolawole, Samuel. 2006. “Yoruba Forms and Motifs as Indices of Semiotic Communication.” Ijinle Asa: A Journal of Arts, Culture and Ideas. Resource Centre for Arts, Culture and Communication Development, 3, pp.28-34.

Last Modified: Thu, 24 Aug 2017 09:50:14 SAST