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Harrie Uvietobor Makpamiekun Bazunu

PUBLICATIONS

Journal Articles

  • Odokuma, Ese and Bazunu Harrie U. M. 2015. “Environment and Style: An Analysis of Abamwa’s Work Since 1991-2011”. International Journal of Humanities and Social Science, 5(6(1)), pp.104114.

  • Bazunu, Harrie U.M. and Ekong Clement E. 2013. “Chronicles of an Oil Suffused Environment in Niger Delta Visuals” AJOFAA (Awka Journal of Fine and Applied Arts), Vol. 1, pp.1-15.

  • Bazunu, Harrie U.M. and Onose, J.O. 2013. “Contemporary Sculpture and Security in Nigeria”. Abraka Humanities Review, 5(1), p.227-234.

  • Bazunu, Harrie U.M. 2013. “Images of Violence, Protest and Subjugation in Selected Niger Delta Visuals”. Humanistic Confluence: Essays from the African Humanities Program in African Notes Journal of the Institute of African Studies, University of Ibadan, 37(1&2), pp.120- 144.

  • Bazunu, Harrie U.M. 2012. “Signs and Symbols in Edewor’s Litany for the Niger Delta”. JONASS Journal of the Nigeria Association for Semiotic Studies, Vol. III, pp.1-19.

  • Bazunu, Harrie U.M. 2011. “The Truth and the Elusive in Niger Delta visuals”. JONASS Journal of the Nigeria Association for Semiotic Studies, Vol. II, pp.30-48.

  • Bazunu, Harrie U.M. and Odokuma, Ese. 2011. “The Niger Delta Environment and the Expressions of a Ceramist”. Abraka Humanities Review, 4(1), pp.22-33.

  • Ekong, Clement E. and Bazunu, Harrie U.M. 2011. “Local Material Application in Ceramics Technology: The Example of Calcium Carbonate (CaCo3) from Limestone”. VAJO the Visual Arts Journal, 1(1), pp.50-56.

  • Bazunu, Harrie U.M. 2008. “Excursions into Nelson Edewor’s Works”. JOFAA Journal of Fine and Applied Arts, 1(1), pp.72-81.

  • Bazunu, Harrie U.M. and Odokuma, Ese. 2008. “Designing and Producing a Wheel Trough Using Thixotropic Polyester for Locally Fabricated Throwing Wheels”. Ashakwu Journal of Ceramics, Vol. 5, pp.24-30.

Chapters in Books

  • Bazunu, Harrie U.M. 2015. “Propositions for a Lasting Peace and Security in the Niger Delta: A Visual Perspective”. In Bridges Across Cultures, Florence, Italy, 2015. Select Conference proceedings in collaboration with Voces Del Caribe. Edited by Manzari, H.J. et. al, pp.40-57. (http://vocesdelcaribe.org/bridges-across-culture/ )

  • Bazunu, Harrie U.M. and Okwuosa, Tobenna. 2014. “Ridding Nigeria of Filth: A Reading of Moyo Okediji, Bright Ugochukwu Eke and Harrie Bazunu’s Application of Discarded Materials”. In Re-Branding Nigeria Through the Arts: A Book of Readings on the 5th National Symposium on Nigerian Art. Edited by Chukwuezi, B.; Oloidi, W. and Ikpakronyi, S.O., pp.160-172.

  • Bazunu, Harrie U.M. 2011. “Art Workshops in Human Capital Development: The Harmattan Workshop Experience”. In Abraka Studies in African Arts II: The Humanities and Human Capital Development. Edited by Egonwa, O. D., pp.326-332.

  • Bazunu, Harrie U.M. 2004. “Artistic Re-awakening in Africa: The Sculptures of Edewor Nelson”. In Abraka Studies in African Arts I: African Arts and National Development. Edited by Ukala, S.C., pp.301-313.

  • Bazunu, Harrie U.M. 2002. “Disability and Distortion: A Thematic Approach to Forms in Sculpture”. In Agbarha-Otor 2002 4th Harmattan Workshop: Rhythms of the Forge. Edited by Da’ Silva, P.K., Unokwah, M. and Udomah, E. U., pp.29-33.

  • Odokuma, Ese and Bazunu, Harrie U.M. 2005. “Urhobo Masking Styles: Origins and Influences”. In Agbarha-Otor 2005 7th Harmattan Workshop, Oguan: Art and Architecture. Edited by Oyelola, P., Agberia, J.T., et al, pp.49-58.

Essays in Exhibition Catalogues

  • Bazunu, Harrie U.M. 2017. “Innovations and Diverse Expression”. ARTlas: The Masters Rendezvous. The 11th Convocation Art Exhibition of Delta State University. Curated by Bazunu, H., p.3.

  • Bazunu, Harrie U.M. 2017. “Samson Ukweku Puts Metal Sculptors and Workers Back on Business”. Development of Local Abrasive Materials for Polishing Compounds in Metal sculpture. A PhD Studio Art (Sculpture) Exhibition by Ukweku, S., p.6.

  • Bazunu, Harrie U.M. 2017. “Okwuosa’s Recent Paintings: Re-Constructing Nigeria”. Visual Dialectics of Texts and Forms on Recent Changes in Urban Spaces. A PhD Studio Art (Painting) Exhibition by Okwuosa, T., p.7.

  • Bazunu, Harrie U.M. 2016. “From the Curator’s Desk”. Dynamic Horizon. The 10th Convocation Art Exhibition of Delta State University. Curated by Bazunu, H., p.3.

  • Bazunu, Harrie U.M. 2014. “It’s a Woman’s World: Ogbami’s Romance with Female Forms”. Looking for a Kiss. A solo exhibition of paintings by Alenosi, O. C., pp.9-14.

  • Bazunu, Harrie U. M. 2010. “Total-Art of Function and Aesthetics in the Sculptures of Nelson Edewor”. Totalities. A solo exhibition of wood sculptures and creative furniture by Edewor, N., pp.5-12.

  • Bazunu, Harrie U.M. 2008. “Edewor’s Imprints: Modern Images of the Niger Delta”. Born to Survive: The Niger Delta Spirit. A solo exhibition of wood sculptures and drawings by Edewor, N., pp.3-4.

  • Bazunu, Harrie U.M. 1996. “Rhythms of Creation”. Rhythms of Creation. A group exhibition to mark the International Museum Year. Curated by Bazunu, H., p.5.

 Curated Exhibitions

  • Bazunu, Harrie U.M. 2017. ARTlas: The Masters Rendezvous. The 11th Convocation Art Exhibition of Delta State University.

  • Bazunu, Harrie U.M. 2016. Dynamic Horizon. The 10th Convocation Art Exhibition of Delta State University.

  • Ojie-Ogwu, G.N.; Bazunu, H.U.M. and Edewor, U.N.O. 2012. Creative Exploits in the Homeland. Convocation Art Exhibition of Delta State University, Abraka.

Last Modified: Wed, 13 Sep 2017 14:41:07 SAST