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• Adepegba K. 2011. “Values of Visual Illutrations in Engineering Design andInnovations”. In Book of Readings of the 1^st Conference on Engineering, Innovations and Technology Development, pp.46-51.

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• Agbo, George Emeka. 2017. “Boko Haram Insurgency and a New Mode of War in Nigeria”. Ambivalent: Photography and Visibility in African History. Edited by Hayes, P. and Minkley, G. (in press).

• Agbo, George Emeka. 2017. “Challenging the Frivolities of Power: The Ubiquitous Camera and the Nigerian Political Elites”. Africa’s Photographic Futures. Edited by Vokes, R. (in press).

• Agbo, George Emeka. 2012. “Portraits”. Uncontained: Opening the Community Arts Project Archive. Edited by Grunebaum, H. and Maurice, E., pp.88-93. Cape Town: Centre for Humanities Research, UWC.

• Agbo, George Emeka. 2012. “Forging Trans-national Itineraries of Cultural-artistic Integration and Propagation in Africa: An Example of the Overcoming Maps Tours of the Pan- African Circle of Artists (PACA)”. Journal of Liberal Studies, 15(1), pp.72-85.

• Agbo, George Emeka. 2012. “Workshop as a Pedagogical Strategy for Printmaking: A review of the Sixth Nsukka Printmaking Workshop”. Mgbakoigba: Journal of African Studies, 1(1), pp.59-70.

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• Akande, Abiodun. 2014. “Iconology of the Equestrian Figure in Yoruba Wood-Carving.” The Emergence: The Nostalgia. The Paintings and Drawings of Kolade Salami Oakley. Edited by Emi, R. A. Ibadan: Alliance Francaise with Lucid Publications Limited, pp. 63-78.

• Akande, Abiodun. 2013. “A paradigmatic Study of the Forms and Imageries of Bruce Onobrakpeya: A remedy for Authentication.” Arts Courier: African Journal of Arts and Ideas, Society of Nigerian Artist, Ekiti State10, pp.74-101.

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• Akande, Abiodun. 2008. “Problems and prospects of teaching Fine Arts in Oyo federal constituency: An empirical study.” Arts Courier,African Journal of Arts and Ideas, Society of Nigerian Artist, Ekiti State 6, pp.37-48.

• Akande, Abiodun & Makinde, Solomon. 2005. “Four New Heirs of Onaism: Their Lives, Works and Influences.” Contemporary Issues in Nigerian Art: Its History and Education. Edited by Aremu, P.S.O. et al.Department of Fine Arts Obafemi Awolowo University, Ile Ife, pp.296- 305.

• Akande, Abiound & Aremu, Gabriel. 2004. “Historical Controversies on the Origin of the Abogunde Carvers Lineage in Ogbomoso.” Arts Courier: African Journal of Arts and Ideas, Society of Nigerian Artist, Ekiti State 3, pp.75-85.

• Akande, Abiodun. 2003. “Issues on Yoruba Aesthetic Terminologies.’ Nigerian Arts Reflections: A Journal of the Society of Nigerian Artists, Oyo State 3, pp.34-38.

• Akande, Abiodun. 2003. “Environmental Factor as a Catalyst for Artistic Creativity. Technology Education and Environmental Issues in Nigeria. Edited by Oladimeji, T.A.G.; Ibeneme, O. T.; Akinseinde, S. I.; Ogunyemi, M. A. & Tukura, H. M. Federal University of Technology, Minna, National Association of Teachers of Technology, pp.406-409.

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• Akande, Abiodun & Kolawole, Samuel. 2006. “Yoruba Forms and Motifs as Indices of Semiotic Communication.” Ijinle Asa: A Journal of Arts, Culture and Ideas. Resource Centre for Arts, Culture and Communication Development, 3, pp.28-34.

• Akinde, T. E. 2017. Individual Fired Brick Production in Nigeria. JVAD: Journal of Visual Art and Design. Vol. 9, No. 1, pp. 49-63. itb journal publisher, Faculty of Art and Design, Idonesia. DOI: http://dx.doi.org/10.5614/j.vad.2017.9.1.5

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• Akinde, T. E., Oladiti, A. A., Abiodun, S. O. and Odeniyi, A. O. 2014. Artistic Islamism of Ibadan. AJRSSH: Asian Journal of Research in Social Sciences and Humanities. Vol. 4, Is. 10, pp. 62-72. ISSN: 2250-1665. www.aijsh.org

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• Akinde, T. E., Odeniyi, A. O. and Abiodun, S. O. 2013. Glazed Tiles as Floor Finish in Nigeria. JAH: Journal of Arts and Humanities. Vol. 2, No. 8, pp. 52-63. ISSN: 2167-9045. www.theartsjournal.org

• Akinde, T. E., Woods, H. T. and Odeniyi, A. O. 2012. “Revivification of the Art of Fila”. Fireworks for a Lighting Aesthetician: Essay and Tributes in Honour of Duro Oni at Sixty (60). In Sunday Enessi Ododo (ed.) Centre for Black and African Arts and Civilization (CBAAC). Lagos, Nigeria. pp. 534-550. ISBN: 978-978-51156-5-9

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• Akinde, T. E., Woods, H. T. and Odeniyi, A. O. 2008. Pragmatism of Araism: A Review of Araism’s Maiden Exhibition Catalogue. IJACI: International Journal of African Culture and Ideas, April, 2008, 8(1), pp. 56-66. Department of General Studies, Ladoke Akintola University of Technology, Igbomoso, Nigeria. ISSN: 1119-9342.

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• Alawode, Musa Ajibola and Adegboyega, Oyelakin Stephen. 2017. “Contemporary Problems to Contemporary Egyptian Art and Way Forward”. Maiduguri Journal of Art and Design, 1(1), pp.82-86. 

• Alawode, Musa Ajibola, Sani, Muhammad Babangida and Adepoju Adewumi Abiodun. 2016. “A Postmodernist Appraisal of Selected Ona Artists”. The Studio, 1(2), pp.15-22. 

• Alawode, Musa Ajibola. 2017. “An Analysis of the Works of Sati Panshak Yilwat”. Maiduguri Journal of Art and Design, 2(4), pp.207-213. 

• Alawode Musa Ajibola and Sani, Muhammad Babangida. 2017. “Art and Tourism in a Developing Economy: An Assessment of Minna Durbar Carnival”. Niger State-Nigeria, .2 (1) 36-39.

• Assako Assako, P-H. S. 2017. Expo: sur l’esplanade des rencontres, catalogue expo. LABA Douala, Cameroun.

• Assako Assako, P-H. S. 2017. “Troubling categories”. In Contemporary and com, Special Documenta 14, print edition, no. 7, pp.22-24

• Assako, Paul. 2017. “Urban public sculpture in Cameroon: the issue of social and cultural re-appropriation of artistic experience”. In Public Art in Africa, Ed. Metiss Presses, Genève.

• Assako Assako, P-H. S. 2013. ‘La forme de l’action privée dans le paysage artistique contemporain au Cameroun’. In Africa e Mediterraneo, no. 79, pp.82–85

• Assako, P-H. S. 2010. “I musei vivi del Camerun – Patrimonio inestimabile, a volte corrotto”. In Caposud, no 5, pp.31

• Assako, P-H. S. 2010. “Arte contemporanea alla conquista del Cameroon”. In Caposud, no. 3, pp.33.

• [Assako, P-H]. Maheux, H. and Assako, P-H. 2010. Gaspar Goman, a forgotten Cameroonian artist. Centre culturel Francais Francois Villon de Yaoundé, Cameroon. 

• Etim, Ekpenyong. 2015. “The Plight of Benin City’s Art Market. Emotan, 8(1), pp.76-84.

• Eweka K. J. 2015. “Made in Nigeria Ceramic Kiln Furniture Using Kaolin And Ball Clay From Afowa In Etsako West Local Government Area, Edo State”. Emotan: A Journal of the Arts. (Department of Fine/Applied Arts, Faculty of Arts, University of Benin, Nigeria, 8(1), December 2015, pp.105-111.

• [Eweka K. J] Daniel Nosakhare Osariyekemwen, Kennedy Jude Eweka. 2016. “Contemporary Traditional Pottery of the Okabere, Nigeria”. CPAN: Journal of Ceramics, (Craft Potters Association of Nigeria), Department of Fine and Applied Arts, University of Nigeria, Nsukka, Nigeria, vol. 6, pp.86-92.

• [Eweka K. J.] Ikeneri J.O., Ukweku S.O., Eweka K.J., Ebeigbe S.U. 2012. “Advocacy for Sustainable Environment in Nigeria: Recycling of Ceramic Pottery Shards”. Ashakwu: Journal of Ceramics, (Professional Association of the Ceramic Researchers Association of Nigeria), Department of Industrial Design, Ahmadu Bello University, Zaria, Nigeria, vol. 9, pp.10-20.

• Eweka, K. J. 2011. “Trends and Development in Policy Implementation in Nigeria: Fresh Ceramic Graduates Any Hope of Survival?’ Ashakwu: Journal of Ceramics, (Professional Association of the Ceramic Researchers Association of Nigeria), Department of Industrial Design, Ahmadu Bello University, Zaria, Nigeria, vol. 8, pp.78–83.

• Eweka, K. J. 2009. “Fabrication of Waste Engine Oil Burner: Trends and Challenges in Nigeria Pottery Industry”. Ashakwu: Journal of Ceramics, (Professional Association of the Ceramic Researchers Association of Nigeria), Department of Industrial Design, Ahmadu Bello University, Zaria, Nigeria, vol. 6, pp.48-56.

• Eweka, K. J. 2015. “Made in Nigeria Ceramic Kiln Furniture Using Kaolin And Ball Clay From Afowa In Etsako West Local Government Area, Edo State”. The 1st University of Benin Annual Research Day (UBARD) Conference Book of Proceedings, pp. 29 -34.

• Folaranmi, Stephen, Nanashaitu, A., Umoru-Oke and Idowu F Adeyanju. 2018. Painting Our Stories and Legacies: Historical Evidences through Nigerian Paintings. International Journal of Humanities and Cultural Studies (IJHCS). ISSN 2356-5926

• Folaranmi, Stephen. (Postdoctoral Fellow). 2018. “This Is Our Story: Iconography of Carved Doors and Panels in Oyo Palace”. African Arts, 51(2), pp.44-57.

• Folaranmi, S.A. and Ademuleya, B.A. 2018. Palace Courtyards in Ilesa: A Melting Point of Traditional Yorùbá Architecture. Yoruba Studies Review, 2(2), pp.51-76, Pan-African University Press, USA

• [Folaranmi, Stephen] Amole, Bayo and Folaranmi, Stephen. 2017. “Yoruba Indigenous Architecture”. In Culture And Customs of the Yoruba, edited by Falola, T and Akinyemi, A. Carolina Academic Press, Durham, NC, USA. 

• [Folaranmi, Stephen] Aládé, Samson M, Folárànmí, Stephen .A. and Odejobi, O.A. 2015. “A Model for Animation of Yorùbá Folktale Narratives”. IEEE African Journal of Computing & ICTs . 8 (3), pp.113–20. 

• Folaranmi, Stephen, and Oyeniyi, Oyewole. 2015. “Changing the Face of the Built Environment through Murals: The Ile-Ife Example.” In Responsive Built Environment, Issues, Strategies and Policies in the Developing World., edited by Odeyinka. H, Aluko, B., Amole, O., Ademuleya, B. and Daramola, O. (Obafemi Awólowo University, Ile-Ife), pp.47–56. Ile-Ife: Faculty of Environmental Designs and management Obafemi Awolowo University.

• Folárànmí, Stephen, and Jonathan Imafidor. 2015. “The Stained-Glass of Selected Churches in Ibadan.” In Responsive Built Environment, Issues, Strategies and Policies in the Developing World., edited by Odeyinka, H., Aluko, B., Amole, O., Ademuleya, B. and Daramola, O. (Obafemi Awolowo University, Ile-Ife), pp.97–107. Ile-Ife: Faculty of Environmental Designs and management Obafemi Awolowo University. 

• Folaranmi, Stephen, and Ajiboye, Olusegun. 2013. “From Shrine Walls to Modern Walls: Murals in Ile-Ife.” The Nigerian Field, 78, pp.24–41.

• Folaranmi, Stephen, and Omidiran, Paul. 2010. Africa Happening! Bits and Pieces. Exhibition Catalogue. Brooklyn, New York: Brooklyn College, CUNY.

• Folaranmi, Stephen. 2009. Unity & Identity in Diversity. Vechta: Exhibition Catalogue. University of Vechta, Germany.

• Folaranmí, Stephen. 2009. “Art in the Service of Sango.” In Sango in Africa and the African Diaspora, edited by Joel Tishken, Toyin Falola, and Akintunde Akinyemi, pp.157–86. Bloomington and Indianapolis: Indiana University Press.

• Folaranmí, Stephen. 2008. “A Critique of Artistic Illustrations in the Works of Akinwumi Isola.” In Emerging Perspectives on Akinwumi Isola, edited by Akintunde Akínyémí and Toyin Falola, pp.115-145. Trenton, New Jersey: African World Press, Inc.

• Folaranmí, Stephen, and Oparinde, Olabisi. 2006. “Contemporary Mosaic Murals in Nigeria: The Works of Elise Johnston.” In Contemporary Issues in Nigerian Arts, Its History and Education, edited by Aremu, P., Ademuleya, B., Ajiboye, O., and Sheba, E., pp.358–73. Ile-Ife: Department of Fine Arts, Obáfémi Awólowo University.

• [Folaranmi, Stephen] Ademuleya, Sehinde, Folaranmi, Stephen, and Ajiboye, Oluegun. 2005a. “30 Years of the Ife Art School.” JOUR. Nigerian Field, 70, pp.83–86.

• Folaranmí, Stephen. 2005b. “The Challenges of the Development of Art in Nigeria.” In Issues and Challenges of Creativity in Contemporary Nigerian Art, edited by Ademola Azeez, Akin Onipede, Babasehinde Ademuleya, and Austine Emifoniye, pp.76–84. Lagos: Culture and Creative Art Forum (CCAF).

• Folaranmi, Stephen. 2004. “Artists as Historians.pdf.” In Interaction, Inspiration & Expression, edited by Pat Oyelola, pp.5–11. Lagos, Nigeria: Bruce Onabrakpeya Foundation. 

• Folaranmí, Stephen. 2002a. “Creative Adaptation of Yoruba Art Forms in Adémólá Ogunajo’s Paintings.” In Perspectives of Culture and Creativity in Nigerian Art, edited by Kunle Filani, Ademola Azeez, and Austine Amifoniye, pp.45–56. Lagos: Culture and Creative Art Forum (CCAF).

• Folaranmí, Stephen. 2002b. “The Importance of Oríkì In Yoruba Mural Art.” Ijele, Art E-Journal of the African World, 4 (2). 

• Gollifer, Ann. 2017. Men with Tales. Second edition.

• Gollifer, Ann. 2015. Men with Tales. First edition.

• Gollifer, Ann. 2015. Men with Tales - a collection of stories from the Guides of the Okavango Delta. Illustrated with watercolour and koki pen. Gaborone, Eggsson Books, Gaborone. ISBN9789996803581.

• Gollifer, Ann. (as Claudia Valenzuela). 2015. A frog in her throat - an illustrated children’s storybook. French and English editions. France, Snow Moon Editions. ISBN979-10-91596-10-7 and ISBN979-10-91596-09-1.

• Gollifer, Ann. (Editor). CONCEPT a forum for creativity. Quarterly magazine, First published April 2012, Botswana. (only two published editions).

• Gollifer Ann and Egner, Jenny. 2011. “ I don’t know why I was created.” DADA, Coex'Ae Qgam : A biography/portrait of Coex ae Qgam, Ncoekhoe painter of the Kuru Art Project, D'Kar, Botswana. Gaborone, Eggsson Books. ISBN978-99912-938-1-3.

• Gollifer, Ann. 2010. “Urban Camouflage Street Safaris”. In Africa e Meditarraneo- n. 3-4/09 (69-700 Aprile 2010 African Fashion.

• Gollifer, Ann. 2004. The Nata Baobab. (Also illustrated by Ann Gollifer). Gaborone, Botsalano Press. ISBN99912-531-5-7.

• [Ijisakin, Eyitayo Tolulope] Simbao, Ruth; Miko, William B.; Ijisakin, Eyitayo Tolulope; Tchibozo, Romuald; Hwati, Masimba; NG-Yang Kristin; Mudekereza, Patrick; Nalubowa, Aida; Hyacinthe, Genevieve; Jason, Lee-roy; Abdou, Eman; Chachage, Rehema;  Tumusiime, Amanda; Sousa, Suzana; and Muchemwa, Fadzai (2017): “Reaching Sideways, Writing Our Ways: The Orientation of the Arts of Africa Discourse”. African Arts, 50(2), Summer 2017, pp.10-29.

• Ijisakin, Eyitayo Tolulope. 2012. “Afro-Cultural Imperatives in the Bead Paintings of Jimoh Buraimoh”; The African Symposium, 12(1), pp.29-45. A Journal of the African Educational African Educational Research Network, Virginia Union University, U.S.A.

• [Ijisakin, Eyitayo Tolulope] Oyinloye, Michael Abiodun and Ijisakin, Eyitayo Tolulope. 2012. “Preservation of Contemporary Artwork: A Reflection on Painting”. Ife Studies in African Literature and the Arts, (ISALA). A Journal of the Department of English, Obafemi Awolowo University, Ile-Ife.

• [Ijisakin, Eyitayo Tolulope] Oyinloye, Michael Abiodun and Ijisakin, Eyitayo Tolulope. 2012. “Evaluating the Roles of Government and Cultural Administrators in Nigerian Museums”. Journal of Engineering & Environmental Studies, (JEES) 3(1), pp.79-86.

• [Ijisakin, Eyitayo Tolulope] Aremu, Paxton Sholademi Olabisi; Umoru-Oke, Nanashaitu; Ijisakin, Eyitayo Tolulope and Banjo, Biodun. 2012. “Re-defining Wall Painting of the Yoruba of South-West Nigeria for Cultural Tourism”. Sustainable Tourism V, Vol. 161, pp.343-352.

• [Ijisakin, Eyitayo Tolulope] Ajiboye, Olusegun Jide and Ijisakin, Eyitayo Tolulope. 2010. ‘‘Christianity and Colonialism as Factors in the Development of Contemporary African Art”. Ife Studies in African Literature and the Arts (ISALA), No. 5, July 2010, p.73-83. A Journal of the Department of English, Obafemi Awolowo University, Ile-Ife.

• [Ijisakin, Eyitayo Tolulope] Makinde, David Olajide; Ijisakin, Eyitayo Tolulope and Ijisakin, Yemi Olaolu. 2010. ‘‘Indoor and Outdoor Pollution in Cloth Dyeing: Examples from Textile Studios in Nigeria Tertiary Institutions’’. Air Pollution XVIII. 136, p.313-320. Environmental Health Risks Conference, organized by the Wessex Institute of Technology, United Kingdom.

• Ijisakin, Eyitayo Tolulope. 2008. ‘‘An Appraisal of the Influence of African Traditional Art Forms on Western Modern Art’’, Africa: Journal of Contemporary Issues. 6(4), pp.49-65.

• Ijisakin, Eyitayo Tolulope; Oyinloye, Michael Abiodun; and Ijisakin, Yemi Olaolu. 2008. ‘‘Egyptian Arts in Comparison with Other African Arts, South of the Sahara’’. Africa: Journal of Contemporary Issues, 6 (6), pp.60-72.

• Ijisakin, Eyitayo Tolulope. 2007. ‘‘Cartooning as a means of Social Criticism: An Appraisal of Josy Ajiboye’s Cartoons’’. Journal of Arts and Ideas, 11, pp.77–91.

• Ijisakin, Eyitayo Tolulope. 2006. “African Arts Studies: An Historical Perspective”. Ela: Journal of African Studies, Nos. 19 and 20, pp.72-89.

• [Ijisakin, Eyitayo Tolulope] Abejide, Foluso Modupe and Ijisakin, Eyitayo Tolulope. 2005. ‘‘Graphic Arts and Cultural Synthesis in Nigerian Built Environment’’. In Globalization, Culture and the Nigerian Built Environment, Vol. II, pp.110-116. Conference Proceedings of the Faculty of Environmental Design and Management, Obafemi Awolowo University, Ile-Ife, June 15-17.

• Ijisakin, Eyitayo Tolulope. 2004. ‘‘The Pride in Beads among the Yoruba of Nigeria’’. Journal of Arts and Ideas, Vol. 7, pp.84-94.

• Jimoh, G.A. 2018. "Wetin You Carry? The Nigeria Police Force in Cartoonists' Space". Taking African Cartoons Seriously: Politics, Satire and Culture. Eds. Peter Limb and Tejumola Olaniyan. Michigan State University Press. East Lansing. pp 17 - 32.

• Jimoh, Ganiyu. 2018. "Josy Ajiboye: The Reluctant Cartoonist and Social Commentaries in Postcolonial Nigeria". International Journal of Comic Art. 20 (1). pp.242 -254.  

• Jimoh, Ganiyu. 2015. The Change We Need. An Exhibition Brochure featuring Scholarly Essays by African Cartoon Scholars on African Cartooning. African Studies Centre, Michigan State University. USA. 

• Jimoh, Ganiyu. 2015. “Image, Metaphor and Narratives: Pop Cultural Elements in Political Cartoons”. Eyo Journal of Arts and Humanities, 1(1), pp. 89-99.

• Jimoh, Ganiyu. 2014. “I Voted Only for the Head Too: Visual Satire and Democratic Governance in Africa”. International Journal of Comic Art, 16(1), Spring, pp.431-444

• Jimoh, Ganiyu. 2013. “No Laughing Matter: Editorial Cartoons and The Nigerian Democratisation Process”. Essays in History. Vol. 9. A Journal of the Students’ Historical Society of Nigeria,University of Lagos Chapter, pp.153

• Jimoh, Ganiyu. 2013. Our National Flag: Arts and Socio-Political Realities. NeronetPlus Int. Ltd, Lagos.

• Kakande, Angelo. 2017."On the Love That Dares Exhibition: Overlapping Histories, Shared Visions ". Love that dares exhibition 2017 

• Kakande, Angelo. 2017. "Returning to the archive: It is still rich, accessible and usable!" Start a Journal of Art and Culture.

• Kakande, Angelo. 2017. "Reimag[in]ing the Village as a Portrait of a Nation-State in Uganda." African Arts, 50 (2), pp.46-57.

• Kakande, Angelo. 2016. “Art and the ‘Ghost’ of ‘Military Dictatorship’: Expressions of Dictatorship in Post-1986 Contemporary Ugandan art”. Start Journal: A Journal for Arts and Culture in East Africa. 

• Kakande, Angelo. 2016. “Disability is Not a Synonym for Dependency; It Is Euphemism for Exclusion”. Artwork exhibited with accompanying essay in the Different but one 20 Staff Exhibition for academic staff at Margaret Trowell School of Industrial and Fine Art. Institute of Heritage Conservation and Restoration, Makerere University, Kampala.

• Kakande, Angelo. 2016. ‘“Nze Ssengendo Ndi Muganda.” Ate Ggwe?: From Ssengendo's Art to the Celebration of Our Identities” essay for the exhibition titled Professor Pilkington Nsibambi Sengendo: A cultural Tribute (1942-2015), pp.14-35.

• Kakande, Angelo. 2016. “On Ceramics, Untameable Presidents and Weak Laws? Its Art as/and the Expression of Dictatorship in Africa’s Postcolonial States”. CPAN: Journal of Ceramics ISSN: 0189-8833

• Kakande, Angelo. 2016. “On Collin Sekajugo’s The Fist of Stella Nyanzi Exhibition and the Gendered Power Economy in Uganda”

• Kakande, Angelo and Tumusiime Amanda. 2016. “Ceramics as a Voice for the Protection of the Environment: On Art, Eco-activism and the Flower in Ceramic Art in Uganda”. In CPAN: Journal of Ceramics. ISSN: 0189-8833.

• Kakande, Angelo and Kalule Kasozi, Dorah. 2016. "Jewelry as “Art that has a Life of Its Own”, Research and Transnational African Culture at Makerere University." Abraka Humanities Review: A Journal of the Faculty of Arts, Delta State Nigeria 7, pp.50-65.

• Kakande, Angelo. 2015. “Let’s Respect LGBTQI Rights”. Artwork exhibited with accompanying essay. In the Different but one 19 Staff Exhibition for academic staff at Margaret Trowell School of Industrial and Fine Art. Institute of Heritage Conservation and Restoration, Makerere University, Kampala.

• Kakande, Angelo. 2015. “On Kyeyune’s tradition in Quiet Dignity: its politics, debate and sources”. In Quiet Dignity, Makerere Institute of Heritage Conservation and Research, Makerere University, Kampala. Exhibition Essay.

• Kakande, Angelo. 2015. “Protection of the “Traditional Heterosexual Family? The State and Anti-homosexuality Legislation in Uganda” in D. Higginbotham & V. C. Buthelezi (Eds.), Contested Intimacies: The Sexuality and the Law in Africa, pp.17-30. Cape Town: Siber Ink.

• Kakande, Angelo. 2015. Towards an Understanding of Uganda’s Urban Pottery. Third Text Africa, 4(1), pp.13-24.

• Kakande, Angelo. 2014. “Ceramics as an Archive for Uganda’s Socioeconomic challenges? On the Social Roots of Bruno Sserunkuuma’s Practice. Abraka Humanities Review: A Journal of the Faculty of Arts, Delta State Nigeria, 6(1), pp.26-42.

• Kakande, Angelo. 2014. “On DBO-18?”Artwork exhibited with accompanying essay in the Different but one 18 Staff Exhibition for academic staff at Margaret Trowell School of Industrial and Fine Art. Institute of Heritage Conservation and Restoration, Makerere University, Kampala.

• Kakande, Angelo. 2013. “Powerful presidency, Untameable Rogue”. Artwork exhibited with accompanying essay in the Different but one 17 Staff Exhibition for academic staff at Margaret Trowell School of Industrial and Fine Art. Institute of Heritage Conservation and Restoration, Makerere University, Kampala.

• Kakande, Angelo. 2012. “Nudity and its visual representation in Uganda’s contemporary art: It is artistic expression, free speech and gendered”. Start Journal of Arts and Culture in East Africa, 

• Kakande, Angelo. 2012. “The 100 posters for the right to education exhibition: Its lessons for the enforcement of fundamental Rights”. Start Journal of Arts and Culture, Issue no. 018, 11 pages. [Accessed 25 October 2012]

• Kakande, Angelo. 2011. “Kyeyune’s the Kampala I will always come back to? I see aestheticized reality and a risk of propaganda”. Start Journal of Arts and Culture in East Africa. 

• Kakande, Angelo. 2011. “Sculptural figures reflected on daily experiences: Nabulime confronts the canon of visual representation. Start Journal of Arts and Culture.

• Kakande, Angelo. 2011. “Contemplating the early years exhibition, risking Propaganda: A critical review”. Start Journal of Culture in East Africa.  

• Kakande, Angelo. 2011. “Kyeyune’s the Kampala I will always come back to? I see aestheticized reality and a risk of propaganda”. Start Journal of Arts and Culture in East Africa.  

• Kakande, Angelo. 2007, “The Hornsleth Art Project in Uganda: Its Politics beyond the Obvious”. Reflektions, Margaret Trowell School of Industrial and Fine Art, no.1.

• Kakande, Angelo. 2005. “Our Hidden Treasures, Our Political Reality” in Our Hidden Treasures, Makerere Institute of Heritage Conservation and Research, Makerere University, Kampala. Exhibition essay. 

• Kakande, Angelo. 2005. "Kony + State = ?: Speculating on What a Successful Resolution to the Kony-Conflict through Dialogue will Mean for Uganda’s Flag”. Artwork exhibited with accompanying essay in the Different but one 9 Staff Exhibition for academic staff at Margaret Trowell School of Industrial and Fine Art. Institute of Heritage Conservation and Restoration, Makerere University, Kampala.

• Kakande, Angelo. 2004, ‘A unique complexity’. In Anitra Nettleton, Julia Charlton, Fiona Rankin-Smith, Voice-Overs. Johannesburg: Wits Art Galleries (2004), pp.72-73.

• Kilonzo, Kiagho. 2017. “Rock Art and Tourism in Tanzania: In search for Innovations”. Academica Touristica 10(1), pp.69-82. 

• Kilonzo, Kiagho. 2016. “Authenticity of Today’s Tingatinga Paintings”. Sanaa Journal 1(1), pp.1-11.

• Kilonzo, Kiagho. 2016. “Examining the Model of the Curriculum Used by Graphic Design Institutions in Tanzania at Various Levels of Study”. Papers in Education and Development, 33/34, pp.146-176.

• Kirumira, Rose. Catalogue for Major exhibition, ‘Archives- Tradition and Artistic Inspiration’.

• Kirumira, Rose. “An Artist’s notes on the Triangle workshops (Zambia and South Africa)”. In African art and Agency in the Workshop. Sidney Littlefield Kasfir and Till Forster. Eds. Bloomington Indiana University Press.

• Kirumira, Namubiru Rose and Sidney L. Kasfir. 2013. “An Artist’s notes on the Triangle workshops (Zambia and South Africa)”. In African art and Agency in the Workshop. Sidney Littlefield Kasfir and Till Forster. Eds. Bloomington Indiana University Press.

• Kirumira, Namubiru Rose and V. Y. Mudimbe (Eds.). 2013. “Reflecting on the Sculpture ‘Mother Uganda’”. In Re-Contextualizing Self/Other Issues, The Practice of a Conference. Africa World Press.

• Layiwola, Peju. Book Review: Festivals and the Sustenance of a Collective Memory, Book review of A Calendar of Traditional Nigerian Festivals by Frank Aig-Imuohkuede. The News, February 6, 2017.

• Layiwola, Peju. 2016. ‘Art at the Heart of Giving: Bruce Onobrakpeya and the Harmattan Workshop in Retrospect, Catalogue Entry Harmattan Exhibition (September 16 - December 16, 2016), Lagos Court of Arbitration, Lagos.

• Layiwola, Peju. 2015. “Ben Enwonwu’s The Risen Christ as a Religious Icon at the University Of Ibadan”. The City State of Ibadan: Text and Context, edited by Dele Layiwola, pp.169-176. A publication of the Institute of African Studies, University of Ibadan in collaboration with Bookbuilders (Editions Africa), Ibadan.

• Layiwola, Peju. 2015. “Walker and the Restitution of Two Benin Bronzes”. Eyo Journal of the Arts and Humanities. Maiden Edition, edited by Peju Layiwola, pp.175-185. Department of Creative Arts, University of Lagos.

• Layiwola, Peju. 2015. “Whose Centenary? Public Art Project as an Expression of Colonial Memory”. Nigeria Field Society Journal, 85^th Anniversary, No. 80, pp.51-68.

• Layiwola Peju. 2014. “Clad in Gold: The Art of the Jewel Smith in Ibadan”. African Notes, 33(1&2), Journal of the Institute of African Studies, University of Ibadan, Nigeria, pp.18-26.

• Layiwola Peju. 2014. “Making Meaning from a Fragmented Past: 1897 and the Creative Process, Disturbing Pasts: Memories, controversies and Creativity”. Open Arts Journal, The Open University UK, Ed. Leon Wainwright, Summer Issue 3, pp.86-96.

• Layiwola, Peju. 2014. A Walk through the Hearth, Mandela: Tributes to a Global Icon., edited by Toyin Falola, Carolina Academic Press, Durham, North Carolina, pp.288-289.

• Layiwola, Peju. 2013. Dele Jegede and His Enduring Legacy at the University of Lagos. In Parodies of a Nation: Nigeria and the Art of Dele Jegede., edited by Aderonke Adesola Adesanya and Toyin Falola, pp.369-378. Africa World Press, USA.

• Layiwola, Peju. 2013. “From Footnote to Main Text: Re/Framing Women Artists from Nigeria in Africa and Its Diaspora in Africa and Its Diasporas". N.Paradoxa: International Feminist Art Journal, edited by Katy Deepwell, KT Press UK and Andy Warhol Foundation for the Visual Arts, New York, Vol.31, pp.78-87.

• Layiwola, Peju. 2012. “Welding the Lethal to the Unusual: Olu Amoda and the Art of Metal Assemblage”. Cequel: Shattering the Barriers of Artistic Conventions, edited by Ohioma Ifuonu Pogoson, Institute of African Studies, University of Ibadan, Ibadan, pp. 112-123.

• Layiwola, Peju. 2010. “Lace Culture and the Art of Dressing Well in Nigeria”. In African Lace: A History of Trade, Creativity and Fashion in Nigeria, edited by Barbara Plankensteiner and Mayo Adediran, Museum of Ethnology, Vienna (Museum fur Volkerkunde,), National Commission for Museums and Monuments, Nigeria, Snoeck Publishers, Rudy Vecruysse, Ghent, pp.167-180.

• Layiwola, Peju. 2009. Calabashes as Receptacles of Traditional Medicine and Repositories of Culture Amongst the Yoruba People Of Southwestern Nigeria. In A Textbook of Medicinal Plants in Nigeria, edited by Tolu Odugbemi, University of Lagos Press, Lagos, pp.81–92.

• Layiwola, Peju. 2009. “New Forms of Commemoration; Royal Textiles of Benin”. The Nigerian Field, 74(1 and 2), pp.5-19.

• Layiwola, Peju. 2009. “The Restitution of Cultural Artefacts:  The Case of Benin, a Case for Nigeria”. Journal of Environment and Culture, Department of Archeology and Anthropology, University of Ibadan, edited by O.B.Lawuyi, 6(1 and 2), pp.33-43.

• Layiwola, Peju. 2009. “The Transformative and the Crosscultural Nature of Onobrakpeya’s Jewelry”. Jewels of Nomadic Images, Ovuomaroro Gallery, Lagos, pp.21-33.

• Layiwola, Peju. 2008. “Reviewing the Curriculum of Creative Arts in Nigerian Universities”. Art Monitor, Journal of the Department of Creative Arts, Tai Solarin University of Education, pp.19-27.

• Layiwola, Adepeju. 2007. “Benin Massacre; Memories and Experiences”. Benin Kings and Rituals, Court Arts from Nigeria, Museum of Ethnology, Vienna (Museum fur Volkerkunde Wien), Museum Qua Branly (Paris), Ethnologishes Staatliche Museen zu Berlin and the Art Institute Chicago, Ed. Barbara Plankensteiner, Snoeck Publishers, Rudy Vecruysse, Ghent, pp.83-90.

• Layiwola, Peju. 2007. “Nigerian Artists Reinterpreting Hellenic Images”. In Hellenic Images and Fifty-Four Nigerian Masters in Translation, the Embassy of Greece in Nigeria, Society of Nigerian Artists, pp. 8-16.

• Layiwola, Peju and Biayere, Kunle. 2007. “The Politics of Memory in the Dramatic Space: Two Distant Views of Ovonramwen Nogbaisi”. In Revisiting History Through the Arts, edited by Peju Layiwola, National Gallery of Arts, Abuja, pp. 84-97.

• Layiwola, Peju. 2007. “The Women in My Life: Re (presenting) The Image of Women in the Paintings of Joe Musa”. Joe Musa Recent Works. A publication of the National Gallery of Arts, pp.108-111.

• Layiwola, Peju. 2006. “Tangible Heritage in Nigeria”. Nigeria: Cultural and Natural Heritage, A UNESCO World Heritage publication, edited by Rafael Valencia, Librose, Copernic, Viking, Barcelona, Spain, pp.280-305.

• Layiwola, Peju. 2005. “Continuity and Change in Benin Brass Casting”. Revue Quest Africaine d’ Archeologie, edited by Sowunmi et al. West African Archeological Association (WAJA), 35(1 and 2), pp.89-104

• Layiwola, Adepeju. 2005. “Depicting Illusion as Reality; the Role of the Visual Designer in the Development of Theatre Practice in Nigeria”. Sonta Journal, edited by Duro Oni, 8(1), pp.105- 112.

• Layiwola Peju. 2003. “Gnosis and the Transmission of Artistic Knowledge: the Example of the Brass Casters’ Guild in Benin.” Modern History of Visual Arts in Southern Nigeria, edited by Laurent Fourchard, French Institute for Research in Africa (IFRA) Monograph Series, Ibadan, pp.45-53.

• Layiwola, Peju. 2002. “Metal Casting as a Sculpture Tradition in Contemporary Nigeria: An Overview”. In Agbarha-Otor 2002, Rhythms of the Forge, Ovuomaroro Gallery, Lagos, pp.23-28.

• Layiwola, Peju. 2001. “Africa and Her Diaspora: Three Female Artists in Contemporary Perspective”. Nigerian Art Reflections, Journal of the Society of Nigerian Artists, edited by Ayo Elebute, Vol. 1, pp. 87-94.

• Layiwola, Peju. 1997. “Gender Tempered Through Metal: Women in Bronze Casting in Benin, Nigeria”. In Writing African Women: Gender, Popular Culture and Literature in West Africa. Edited by Stephanie Newell, Zed Press, London, pp.191-197.

• Layiwola, Peju. 2010. “Resurrecting the Disappeared: A Recontextualisation of 1897”. Benin 1897.com: Art and the Restitution Question, edited by Peju Layiwola and Sola Olorunyomi, Wy Art Editions, Ibadan, pp.1-12.

• Layiwola, Peju. 2010. “The Visual Arts of Nigeria and the Global Encounter”. International Art Expo, A publication of the National Gallery of Arts, Abuja, pp.188-244. 

• Matome, Neo. 2014. “Visual Art in Context: Legends 2014”. Legends Exhibition catalogue, Department of Arts and Culture, Ministry of Youth Sport and Culture, pp.5-6.

• Matome, Neo. 2012. “The Visual Arts in Botswana: Overview”. National Art & Basket and Craft Exhibitions 2012, Department of Arts and Culture, Ministry of Youth Sport and Culture, p.3.

• Matome, Neo. 2007. “Art in Botswana: The Role of Training Institutions in the Development of the Visual Arts”. In African Contemporary Art – Critical Concerns. Seminar proceedings published by AICA in 2011, France, pp.17-22.

• Matome, Neo. 1997. ”Bridging Cultural Boundaries: A School of Art and Design for the Southern African Development Community (SADC) Region”. In Legacies of Stone: Zimbabwe Past and Present. Vol. 2. Royal Museum for Central Africa, Tervuren. Edited by  Bourgois, Geert, G.,  pp.125-139.  

• Matome, Neo. 1996. “Mountains of the Moon”. Gallery, No. 9. Gallery Delta. Harare, Zimbabwe. 

• Matome, Neo. 1996. “The Impact of Workshops on Contemporary Southern African Art”. Tulipamwe International Artists’ Workshop catalogue.

• [Matome, Neo] Williams, S. and Matome, N. 1994. “Visual Art in the Southern African Development Community (SADC). The Argument for a Regional School of Art and Design. Feasibility study report. 

• Mulenga, Andrew. 2017. "Henry Tayali: Outside the spotlight". Contemporary and.

• Mulenga, Andrew. 2017. "Martin Phiri: the man who changed the Zambia art scene". Contemporay and.

• Mulenga, Andrew. "Young Zambian fashion designers: a creative time bomb". Design Indaba. 

• Mulenga, Andrew. 2016. (Exhibition catalogue essay). "Visual Voices". German embassy, Lusaka, Zambia.  

• Mulenga, Andrew. 2016. (Exhibition catalogue essay). "Donation". Netherlands embassy, Lusaka.Zambia.

• Mulenga, Andrew. (Book chapter). "Germinating in the cracks: the identity of contemporary Zambian art ". In Zambia – 72 peoples form a state – insights in a post-colonial society. University of Wuppertal, Germany.

• Mulenga, Andrew. 2013. "African Art Colours of a Continent". Vision.  

• Mutero, I.T. 2018. “Muting voices of dissent: Case study of the Rebel woman, University of Zimbabwe”. In Victors, Victims and Villains: Women and Musical Arts in Zimbabwe’s, Past and Present, Edited by Chinouriri, B. and Kufakurinani.

• Mutero, I.T. 2018. "Performing subversion: The use of Chinyambera traditional dance to as a coping mechanism in Zimbabwe". In Performing Zimbabwe. Edited by Giminez, A. and Vambe, M.

• [Ndubuisi, C] Irokanulo E and Ndubuisi C. (2016). “Transforming the Aesthetics of Shadow as an Essence in Painting”. International Journal of African Culture, Politics and Development. 10(1). Faculty of Social Science, University of Uyo.

• Ndubuisi C. 2016. “Inculturation of Visual Arts and Its Relevance”. Journal of Ceramics and Environmental Design. l3(1&2). University of Port Harcourt.

• [Ndubuisi, c.] Irokanulo E and Ndubuisi C. 2016. “Abiodun Olaku’s Painting in the Spirit: A Contemplation of Heidegger’s Aesthetic Theory and African Aesthetics Understanding”. Nsukka Journal of Humanities. 24(2).

• Ndubuisi C. 2015. “Nigerian Culture and Modern Art: An Assessment of the Zaria Art Society. Lagos Notes and Records”. A Journal of the Faculty of Arts, Vol.21, University of Lagos.

• [Ndubuisi, C.] Irokanulo E and Ndubuisi C. 2015. “Oshinowo-ism: A Period in Lagos Painting School”. Journal of Ceramics and Environmental Design. 3(1&2). University of Port Harcourt.

• Ndubuisi C. 2015. “Repositioning Visual Arts in Nigerian Higher Education”. The Artist Journal, A Journal of the Faculty of Environmental Studies, University of Uyo.

• Ndubuisi C. 2015. “Natural Synthesis: Where Culture Met Academics". Journal of Research in National Development. Vol. 13, Federal University of Technology, Owerri, Imo State.

• Ndubuisi C. and Nweke E. 2015. “Creative Arts: A Vital Part of the Society and Economy, Focusing on Music and Visual Arts”.  Journal of African Culture, Politics and Development. 9(1). Faculty of Social Science, University of Uyo.

• Ndubuisi C. and Emodi A. 2015. “From Catacombs to Oye-Ekiti Catholic Parishes: Indigenous Sculptures in Nigeria”. The Artist Journal, A Journal of the Faculty of Environmental Studies, University of Uyo.

• Ndubuisi C. and Awoh S. 2015. “Confluence of Geometry and Art: The Painting of Yusuf Grillo”. Design Review Vol. 4. Journal of Industrial Design, Department of Industrial Design, Ahmadu Bello University, Zaria, Nigeria.

• Ndubuisi C and Awogbade M.O. 2015. “Qualitative Research: A Path to a Successful Art Research”. Design Review Vol. 3. Journal of Industrial Design, Department of Industrial Design, Ahmadu Bello University, Zaria, Nigeria.

• Ndubuisi C. 2015. “A Sculptor and his Inherent Creative Tendencies: An Overview”. The Journal of Art and Ideas. Department of Fine and Applied Arts, Obafemi Awolowo University, Ile-Ife, Nigeria.

• Ndubuisi C. 2014. “The Theory Degree, Doctor of Philosophy in the Studio Art”. Journal of Research in National Development. Federal University of Technology, Owerri, Imo State, Nigeria.

• Ndubuisi C. 2014. “The Aesthetics Principles of Oye-Ekiti Christian Sculpture”. The Journal of Art and Ideas. Department of Fine and Applied Arts, Obafemi Awolowo University, Ile-Ife, Nigeria.

• Ndubuisi C. 2014. “Indigenous Images and Liturgy: The Splendour of Roman Catholicism”. Journal of Research in National Development. Federal University of Technology, Owerri, Imo State. (December 2014).

• Ndubuisi C. 2013. “The Influence of Sculpture on Consumer Buying Behaviour: Mannequin a Success Story”. International Journal of Liberal Studies and Technology. Yaba College of Technology, Lagos, Nigeria.

• Ndubuisi C. 2013. “Traditional Igbo Sculptures and its Functions”. In The Spirit of the Harlem Renaissance. Special Edition. University of Wisconsin-Milwaukee, U.S.A.

• Ndubuisi C. 2012. “The Pottery of Women of the Ohuhu-Umuahia Community of Nigeria”. In The Spirit of the Harlem Renaissance. Special Edition. University of Wisconsin-Milwaukee, U.S.A

• Ndubuisi Chinyere. 2011. “Art as a Meal: Issues in Art Appreciation”. Design Review 1(2), Journal of Industrial Design, Department of Industrial Design, Ahmadu Bello University, Zaria, Nigeria.

• Ndubuisi C. 2011. “The Elements of Aesthetics and Technology in Demas Nwoko’s Architecture”. Nigerian Art Reflections, A Journal of the Society of Nigerian Artists, Oyo State  Chapter vol. 9, Ibadan, Nigeria.

• Ndubuisi C. 2011. “Out-Door Sculpture in Lagos State’ Materials, Challenges and conservation: Ijile-Asa”. A Journal Arts, Culture and Ideas, Vol. 6, Ibadan, Nigeria.

• Ndubuisi C. 2010. “Nigeria Female Artist in Diaspora”. An Anthology of Modern Nigerian Art, A Journal of Visual Arts and Related Issues. Vol. 2. Art Forum in Collaboration with the Department of Fine Art, Ahmadu Bello University, Zaria, Nigeria.

• Ndubuisi C. 2008. “The Art of Carving as a Viable Medium of Expression”. Visual Vanguard, A Journal of Contemporary Art, Design and Architecture, Lagos, Nigeria.

• Ndubuisi C. 2007. “Art Expression as a Viable Language of Communication for Children of the Impressionable Age”. Journal of Language for Cultural and Technological Development, Yaba College of Technology. 

• Nnochiri, Umana [Nnochiri, Ginigeme]. 2017. “Redefining the Use of Indigenous Textiles within a Socio-Cultural Context: An Example of the Illa-Oso Festival of Uzuakoli in Eastern Nigeria”. The Artist Journal (TAJ), a Journal of the Faculty of Environmental Studies, University of Uyo. Uyo, Nigeria. 2(1), pp.127-130.

• Nnochiri, Umana and Cyril-Egware, Pamela. 2016. “MEMORIALIZE IT ON CLOTH: Ejagham Artistic Stone Culture”. The Artist Journal, (TAJ), a Journal of the Faculty of Environmental Studies, University of Uyo. Uyo, Nigeria. Vol. 3, pp.110-116.

• [Nnochiri, Umana] Ekpe, Stella, Emenyi, Imo and Nnochiri, Umana. 2014. “Akwa Ibom Women: Contribution to hospitality and tourism in Nigeria’s centenary: 100 years of Akwa Ibom women’s imprint in national development”. Edited by URUA, et al., pp.235-265.   

• [Nnochiri, Umana] Enamhe, B. and Nnochiri, U. 2014. “The Influence of Digital Technology on the Practice of Visual Arts Education in Nigeria”. Abraka Humanities Review, a Journal of the Faculty of Arts, Delta State University, Abraka, 6(3).

• [Nnochiri, Umana] Uti, F. and Nnochiri, U. 2014. “Implication of Cartoon as an Art Instructional Material”. Journal of Educational Innovators. 

• [Nnochiri, Umana] Enamhe, B. and Nnochiri, U. 2013. “The Growth of Visual Arts as a Motor for Empowerment”. Academic Journal of Interdisciplinary Studies, MCSER, 2(11), pp.26-29.

• [Nnochiri, Umana] Enamhe, B., Nnochiri, U. 2013. “A Purview of the Laws Governing Effective Administration of the Visual Arts in the 21st Century”. Abraka Humanities Review. A journal of the Faculty of Arts, Delta State University, Abraka, 5(1).   

• [Nnochiri, Umana] Enamhe, B. and Nnochiri, U. 2013. “The Growth of Visual Arts as a Motor for Empowerment”.  Academic Journal of Interdisciplinary Studies, MCSER, 2(11), pp.26-29.

• [Nnochiri, Umana] Enamhe, Bojor and Ekpe, Umana.  2012. “Visual Arts and Technology Department, Cross River University of Technology, Calabar: An Overview”. CRUTECH Journal of Science, Engineering and Technology (JOSET), 1(1).

• [Nnochiri, Umana] Ekpe, U, Nnochiri, G. and Enamhe, B. 2012. “Adaptation of Motifs from the Nkugho Institution of the Efiks for Sustainability”.  EMOTAN, A Journal of the Arts, 6(2).                      

• [Nnochiri, Umana] Ekpe, U, and Nnochiri, G. 2012. “Exploring Indigenous Resources as Colour Pigments for Textile Purposes”. Journal of Educational Innovators, 5 (1), pp.41-43.       

• [Nnochiri, Umana] Ekpe, Umana and Nnochiri, Ginigeme. 2009. “Textile and Fashion Production Skills for Sustainable Development”. The Niger Delta in Global Journal of Humanities, 8(1&2).

• [Nnochiri, Umana] Ekpe, Umana. 2008. “Uyo Art School Textile Curriculum; Contents and Implementation”. Uyo Art School Master Strokes: An exhibition of Contemporary Nigerian Arts, April 25 - May 7. Publication No: 16/17.      

• [Nnochiri, Umana] Ajibade, Babson and Ekpe, Umana. 2006. "Redefining an Indigenous Environmental Paradigm: Africa-art and culture in the context of Sustainability and Development". Global Journal of Environmental Sciences, 5(1).

• [Nnochiri, Umana] Ekpe, Umana. 2002. “Introduction to textiles”. In Creative and Media Arts: A Practical Source Book. Edited by Ajibade, B. and Omini, pp. 89-99.

• [Nnochiri, Umana] Ekpe, Umana. 2002. ‘The Influence of Perception on Resource Exploitation and Sustainable Development in Nigeria’. Education and Training Journal, 3, pp.83-90.

• Okewu E. J. 2018. “Aesthetic and Social Commentary of the Mushroom Plant in Clay Form. LIWURAM, Journal of the Humanities, vol. 19, University of Maiduguri, Faculty of Arts.

• Okewu E. J. 2018. “My Feelings For You (terracotta on canvas)”. Ake Review. The official Ake Arts and Book Festival Journal, vol. 5, ISSN 2505-0168, A publication of Book Buzz Foundation, Ikeja Lagos.

• Okewu E. J. 2018. “Conceptual Ceramic Art: A Reflection of the Irony of Nigeria’s Niger Delta Wealth. Savanna. A Journal of the Environmental and Social Sciences, 24(2)  Ahmadu Bello University, Zaria.

• Okewu E. J. 2018. “Clay Palm Press: A Technique of Hand Building in Ceramics for Developing Conceptual Forms. World Academy of Science, Engineering and Technology (WASET). International Journal of Humanities and Social Sciences, 12(6).

• Okewu J. and Zauro T.D.M. 2018. “Waste Iron Filings as Under-glaze Effects for Aesthetic Finish on Stone Ware Ceramics”. International Journal of Innovative Language, Literature & Art Studies, 6(1). http://seahipaj.org/journals-ci/mar-2018/IJILLAS/full/IJILLAS-M-3-2018.pdf 

• Jonathan D. and Okewu, J. 2018. “Burnt Blankets Broken Pots: A Metaphorical Representation of Societal Challenges in Nigeria Via Mixed Media Conceptualisation”. Canadian International Journal of Social Science and Education, 14(1).

• Deborah J. and Okewu J. 2017. “Aisha: A Social Commentary Through Textile and Ceramic Urn Technique. The Artist Journal (TAJ), a Journal of the Faculty of Environmental Studies, 2(1). University of Uyo, Uyo, Nigeria. 

• Okewu E. J. and Gukas H. J. 2017. “Fabricating Kiln Shelves and Props Using Materials From Nigeria”. Maiduguri Journal of Arts and Design, 1(1) Maiden Edition. Department of Visual and Performing Arts, Faculty of Arts, University of Maiduguri, Borno State, Nigeria.

• Emmanuel Okewu, Sanjay Misra and Okewu E. Jonathan. 2017. “Model-Driven Engineering and Creative Arts Approach to Designing Climate Change Response System for Rural Africa: A Case Study of Adum-Aiona Community in Nigeria”. Problemy Ekorozwoju – Problems of Sustainable Development 12(1). http://ekorozwoj.pol.lublin.pl/no23/m.pdf

• Ovye A. G. and Okewu E. J. 2016. “Form Exploration and Aesthetics in Modern Ceramics Practice”. The Studio: a Journal of Contemporary Art Practice and Theory, Issue 16. Published by the Department of Fine Arts, Ahmadu Bello University, Zaria, Nigeria.

• Okewu E. J. 2016. “Exploring Multiple Walled Ceramics Wares on the Potter’s Wheel. FUlafia Journal of Humanity and Social Sciences, 1(1). Federal University Lafia.

• Okewu E. J. and Gundu B. G. 2016. The Outcome of a Conceptual Ceramic-Painting Art Work At The 2015 Spanish Embassy Art Competition. The Artist Journal, A Journal of the Faculty of Environmental Studies, 1(30).  niversity of Uyo, Uyo, Nigeria.

• Okewu E. J. and Deborah E. J. 2015. “Wax Resist-Glaze Crawl Revisited: A Creative Glazing Technique on Ceramics”. European Journal of Basic and Applied Sciences, 2(3), ISSN 2059-3058, http://www.idpublications.org/ejbas-vol-2-no-3-2015/

• Okewu E. J. 2015. "The Slave and Master Throwing Wheel: Merit and Demerit". Ashakwu Journal of Ceramics, vol. 12. Zaria. ISSN: 1597-3182.

• Okewu E. J., Dr. Zauro T. D.M., and Dr. Garkida A.D. (2014), "Throwing Clay with Iron Fillings on the Potter's Wheel" in IOSR Journal Of Humanities And Social Science, 19(11), pp.28-31. Dasna Ghaziabad India. e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org

• Okewu E. J. and Jonathan, E.D. 2014. "Creative Beads Embellishment on Ceramic Wares in Nigeria". Journal Of Humanities And Social Science, 19(10), pp.9-12. Dasna Ghaziabad, India. e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org

• Okewu E. J., Dr. Zauro T.D.M, and Dr. Garkida A.D. 2014. "Incorporating Iron Filings from Zaria Nigeria into Clay Body for the Production of Decorative Ceramics". International Institute for Science and Technical Education, Journal of Arts and Design Studies, vol.19. ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) www.iiste.org

• Okewu E. J. 2014. "Manual Potter’s Wheel Efficiency in Ceramics Production in Nigeria". International Organisation of Scientific Research, Journal of Humanities and Social Science, 19(2), pp.1-5. Dasna Ghaziabad,India. www.iosrjournals.org

• Okewu E. J., Dr. Zauro T. D.M. and Dr. Garkida A.D. 2013. "The Effect of Waste Iron Filings on the Shrinkage Behaviour of Stoneware Clay Body". Environ Journal of Environmental Studies, vol. 3. Faculty of Environmental Design, Ahmadu Bello      University Zaria, Nigeria. ISSN: 1110 -457X

• Omoera, O.S. 2017. “Anthropomorphism and Intentionality in the Benin Language Video-Film in Nollywood: A Content Analysis of Okpaniya.” African Renaissance, 14(3-4), pp.83-99.

• [Omoera, O.S.] Ododo, S.E. & Omoera, O.S. 2017. “Dislocating Cultural Denudations: BFA and the Artistic (Re)visioning of Nigeria, ” (pp. xvii-xx), in Ododo, S.E. & Omoera, O.S. (Eds.). Theatre, Media and Cultural Re-Engineering in Nigeria: An Ovation of Excellence to Barclays Foubiri Ayakoroma (BFA). Abuja, Society of Nigeria Theatre Artists/ National Institute for Cultural Orientation. Abuja, NIGERIA

• Omoera, O.S., Azeez, A. L. and Doghudje, R. V. 2017. “O Comportamento da Mídia de Massa nas Resoluções de Questões Securitárias no Pós-Independência da Nigéria/The Mass Media’s Bearing on the Resolution of Post-Independence Security Issues in Nigeria.” Revista Brasileira de Estudos Africanos (RBEA)/Brazilian Journal of African Studies, 2(3), pp.74-92. Rio Grande do Sul, BRAZIL

• [Omoera, O. S.] Isiramen, C.O., Emordi, E.C., Anyanwu, B.O., Omoera, O.S., Imafidon, E. and Idemudia, M.O. 2016. An Introduction to Research Methods in the Humanities. Ibadan, Kairos Publishers. ISBN 978-978-8507-77-2.

• Omoera, O.S. & Ozoemenam, E. 2017. “Criatividade na Atuação: Estratégias Para a Separação da Identidade Real do Artista de Sua Construção na Nigeria/Creativity in Acting: Strategies for the Separation of the Performer’s Real Identity from the Construct.” Revista Cena 23, pp.142-157/158-173. Rio Grande do Sul, BRAZIL. English Version would be published with Permission in Toyin Falola and Abimbola O. Asojo (Eds.). Creativity, Culture and Identity in Africa and the African Diaspora.

• Omoera, O.S.  & Okao, P. 2017. “Learning Curves in Media Production: Agbonaye, a Benin Film as Guide,” pp.259-277. In Hyginus Ekwuazi (Ed.). Media: A Production Resource Book. Makurdi, Sevhage Publishers. Makurdi, NIGERIA

• Omoera, O.S.  & Ryanga, H. 2017. “Social Media and the Propagation of Violence against Women.” Nigerian Theatre Journal: A Journal of the Society of Nigeria Theatre Artists, 17(1), pp.38-49. Ndufu-Alike, Ikwo, NIGERIA. Earlier Published with Permission in 2016 as “Can Social Media Set the Agenda in Addressing Violence against Women?” World Scientific News(WSN), 60, pp.50-60. West Pomerania, POLAND

• Omoera, O.S., Edemode, J.O. and Aihevba, P.  2017. “Impact of Nollywood Films on Children’s Behaviour in Ekpoma, Nigeria.” Asian and African Studies, 26(2), pp.350-374. Bratislava, SLOVAKIA

• Omoera, O.S. 2017. “Benin Video Film Rising: Peddie Okao on “The Eye of the Sun.”” Creative Artist: A Journal of Theatre and Media Studies, 11(1), pp.16-32. Awka, NIGERIA

• [Omoera, O.S.] Oha, A. C., Kumar, B., Anyanwu, B and Omoera, O.S. 2017. “On Nigerian and Indian Toponyms: Socio-Cultural Divergence and Development.” World Scientific News (WSN), 80, pp.268-283. West Pomerania, POLAND

• Omoera, O.S.& Aiwuyo, O.M. 2017. “Curtailing Security Challenges and Strengthening Democratic Spaces in Nigeria through Media Inventiveness”, (pp.259-274), in Tunde Bewaji, Kenneth Harrow, Eunice Omonzejie and Chris Ukhun (Eds.). The Humanities and the Dynamics of African Culture in the 21st Century. Newcastle upon Tyne: Cambridge Scholars Publishing. Newcastle upon Tyne, United Kingdom

• Omoera, O.S. 2017. “Nollywood Unbound: Benin Language Video-films as Paradigm.”(Published with Permission) in Nigerian Film Culture and the Idea of the Nation: Nollywood and National Narration, edited by James T. Tsaaior and Francoise Ugochukwu. London: Adonis and Abbey. London, United Kingdom. Earlier Version Appeared in 2013 in SMC Journal of Cultural and Media Studies, 2(1), pp.19-45.

• Omoera, O.S.  & Ryanga, H. 2016. “Can Social Media Set the Agenda in Addressing Violence against Women?” World Scientific News (WSN), 60, pp.50-60. 

• [Omoera, O.S.] Ibagere, E. & Omoera, O.S. 2016. “The Nigerian Film Plot: Motion without Movement?” Matatu: Journal for African Culture and Society, 48(2), pp.435-449. 

• Omoera, O.S.  & Ake, K.O. (2016) “Extreme Violence and the Media: Challenges of Reporting Terrorism in Nigeria.” Trans-Humanities, 9 3), pp.127-146. 

• Omoera, O.S. 2016. “Benin Video-Film: A Case for the Documentary Genre.” Ufahamu: A Journal of African Studies, 39(2), pp.147-161. 

• Omoera, O.S.  & Ogah, C.A. 2016. “Boko Haram como Agente Provocador de Desestabilização e Destruição na Nigéria: A Verificação da Mídia/Boko Haram as A-gent Pro-vo-ca-teur of Destruction and Destabilization in Nigeria: The Media’s Check.” Revista Brasileira de Estudos Africanos (RBEA)/Brazilian Journal of African Studies, 1(1), pp.67-84. (Published with Permission in Portuguese Language). Rio Grande do Sul, BRAZIL. English Version Published in 2014 as “Boko Haram as A-gent Pro-vo-ca-teur of Destruction and Destabilization in Nigeria: The Media’s Check.”(pp.259-274), in Walter Idada and Momoh L. Rilwani (Eds.). Governance, Peace and Security in Africa. Benin City: Ambik Press. Benin City, NIGERIA

• Omoera O.S. & Aluede C.O. 2016. “Between the Text and the Sub-text: A Reading of Selected Benin Musical Video-films from Nigeria.” (pp.191-216), in Germán Gil-Curiel (Ed.).  Film Music in ‘Minor’ National Cinemas. New York: Bloomsbury Publishing Inc. 

• Omoera, O.S. 2015.  “An Inquiry into Institutional Support for the Benin Video-Film Culture in Nollywood.” Venets: The Belogradchik Journal for Local History, Cultural Heritage and Folk Studies, 6(2), pp.259-279. 

• [Omoera, O.S.] Ehiemua, K.I. & Omoera, O.S. 2015. “Social Media Platforms of Reality Drama: A Study of Selected Facebook Accounts.” Journal of African Media Studies, 7(2), pp.185-201.

• Omoera, O.S. 2015) “The Invasion 1897 Agenda in the Benin Language Film Segment of Nollywood.” EJOTMAS: Ekpoma Journal of Theatre and Media Arts 5 (1&2), pp.303-311. 

• Omoera, O.S. (ed.) 2015. Ekpoma Journal of Theatre and Media Arts (EJOTMAS), 5(1&2). ISSN 2006-1838 Print; ISSN 2449-1179 Online

• Omoera, O.S. 2014. “The News Agenda, the Nigerian Media and National Development.” Nigerian Theatre Journal: A Journal of the Society of Nigeria Theatre Artists, 14(1), pp.175-192. (English Language Version). Maiduguri, NIGERIA. Published with Permission in Portuguese Language as “Visando a Redefinicao da Pauta de Noticias na Midia Nigeriana para o Desenvolvimento Nacional/Towards Redefining the News Agenda in the Nigerian Media for National Development.” in 2014 in Austral: Revista Brasileira de Estratégia e Relações Internacionais/Brazilian Journal of Strategy & International Relations, 3(5), pp.117-135. 

• Omoera, O.S. 2014. “An Assessment of the Economics of the Benin Language Film in Nigeria.” Quarterly Review of Film and Video, 31(5), pp.387-400. 

• Omoera, O.S. 2014. “Audience Reception of the Benin Language Video Film in Nollywood.”  Journal of African Cultural Studies, 26(1), pp.69-81. 

• [Omoera, O.S.] Bardi, J.N. & Omoera, O.S. 2014. “Influence of Advertising on Audience Patronage of Benin Video-films: A Study of the Benin Metropolis.” (pp.259-274), in Sunday E. Ododo and Olusola A. Fosudo (Eds.). Marketing Contemporary Nigerian Theatre and Cultural Entertainment. Maiduguri: The Society of Nigeria Theatre Artists, Maiduguri, NIGERIA

• Omoera, O.S.  & Anyanwu, B.C. 2014. “Moral Dilemma in Nollywood: Virtue Celebration or Vice Glorification?” The Journal of Pan African Studies, 7(3), pp.135-145. 

• Omoera, O.S. 2013.  “Arresting the Endangerment of Benin Language through Benin Video-film Productions in Nigeria.” Africa Update, XX(3), pp.1-8.

• Omoera, O. S. & Okhakhu, M.A. 2013. “Political Coverage in the Nigerian Broadcast Media: The Need for Professionalism.” Ganga: Journal of Language and Literary Studies, 5(1), pp.118-134. Maiduguri, NIGERIA

• Omoera, O.S. 2013. “Rejuvenating African Indigenous Performing Arts: A Study of Ekaba”. (pp.34-47), in Ameh Dennis Akoh and Stephen Inegbe (Eds.). Arts, Culture and Communication in a Postcolony: A Festschrift for Lawrence O. Bamidele. Rochester, Kent: Alpha Crownes. Rochester, UNITED KINGDOM

• Omoera, O.S. 2013.  “Bridging the Gap: Answering the Questions of Crime, Youth Unemployment and Poverty through Film Training in Benin, Nigeria.” (pp.39-57), in Mette Hjort (Ed.). The Education of the Filmmaker in Africa, the Middle East and the Americas. New York: Palgrave Macmillan.

• Omoera, O.S & Inegbeboh, B.O. 2013.  “Context of Usage and Aesthetics of Selected Proverbs from Southern Nigeria.” Journal of Language, Entrepreneurship & Technology in Africa (JOLTE), 4(1), pp.1-30. 

• [Omoera, O.S.] Onimhawo, J.A., Ogah, C.A. & Omoera, O.S. 2013. “The Notion of God in Jewish and Etsako Traditions: A Comparative Study.” The Tribal Tribune, 5(3). 

• Omoera, O.S. 2013. “Repositioning Early Childhood Education in Nigeria: The Children’s Theatre Approach.” Preschool Education Today: Theory and Practice, 5(7), pp.60-67. (Published with Permission in Russian Language). English Version Published in 2011 in Academic Research International (ARInt.), 1 (2), pp.206-214. 

• Omoera, O.S. 2012. “The Significance of Facekuerade Theory in Contemporary African Theatre Practice.” (pp.63-75), in O.S. Omoera, S. Adeyemi & B. Binebai (Eds.). A Gazelle of the Savannah: Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria, [Volume 1], Rochester, Kent: Alpha Crownes. Rochester, UNITED KINGDOM

• Omoera, O.S., Adeyemi, S. & Binebai, B. 2012. “The Performing Facekuerade: In Lieu of an Introduction.” (pp. xvi-xviii), in O.S. Omoera, S. Adeyemi & B. Binebai (Eds.). A Gazelle of the Savannah: Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria, [Volume 1], Rochester, Kent: Alpha Crownes. Rochester, UNITED KINGDOM

• Omoera, O.S. 2012. “Environmental Issues and Bill-Posting as a Pervasive Media Culture in Nigeria.” American Journal of Human Ecology (AJHE), 1(1), pp.16-22.  

• Omoera, O.S. & Aihevba, P. 2012.  “Broadcast Media Intervention in Mental Health Challenge in Edo State, Nigeria.” Antrocom: Online Journal of Anthropology (AOJoA), 8(2), pp.439-452. 

• Omoera, O.S.  & Oseghale, F. 2012. “An Emic Exploration of the Igbabonelimhin Dance-Theatre of the Esan of Edo State, Nigeria.” The Anthropologist (Special Volume 9: Contemporary Discourses on Media and Theatre Arts Studies in Nigeria), pp.105-111. 

• Omoera, O.S. 2012. “Film and Audience Perception: The Message of Gary Marshall’s Pretty Woman Revisited.” LASU Journal of Humanities, 7, pp.133-141.

• Omoera, O.S.  & Obanor, M.N. 2012. “Theatrical Elements in Olokun Worship in Benin, Nigeria.” (pp.405-420), in S. E. Ododo (Ed.). Fireworks for a Lighting Aesthetician: Essays in Honour of Duro Oni @ 60. Lagos: Centre for Black and African Arts and Civilization. Lagos, NIGERIA

• [Omoera, O. S.] Inegbeboh, B.O. & Omoera, O.S. 2012. “Politics of Gender in African Folktale Performance Art: The Feminist Perspective.” The Tribal Tribune, 4(4), pp.1-15. 

• Omoera, O.S.  & Akinwole, O.T. 2012. “A Review of Literature: Rape and Communication Media Strategies in Nigeria.” Benin Mediacom Journal, 6, pp.164-184. 

• [Omoera, O.S.] Ekwuazi, H.O. Aluede, C.O. & Omoera, O.S. 2012. “Editorial.” The Anthropologist (Special Volume 9: Contemporary Discourses on Media and Theatre Arts Studies in Nigeria) iii-vi. Delhi, INDIA

• Omoera, O.S., Sola Adeyemi & Benedict Binebai (eds.). 2012. A Gazelle of the Savannah: Sunday Ododo and the Framing of Techno-Cultural Performance in Nigeria [Volume 1]. Rochester, Kent: Alpha Crownes Publishers. ISBN 978-0-9566837-3-1.

• [Omoera, O.S.] Ekwuazi, H.O. Aluede, C.O. & Omoera, O.S. (eds.) 2012. Contemporary Discourses on Media and Theatre Arts Studies in Nigeria: Special Volume 9 of the Anthropologist. Delhi: Kamla-Raj. ISBN 81-85264-61-9.

• Omoera, O.S., Awosola, R.K., Okhakhu, M.A.  & Eregare, E.A. 2011. “Seeking Solutions: Of Radio/Television Advertisement and Patients/Non-Patients’ Perception of Traditional Medicine in Edo State, Nigeria.” The International Journal of Research and Review, 6(1), pp. 48-64. 

• Omoera, O.S. 2011. “The Question of Violence in Nigerian Video Films.” International Journal of Film, Literary and Media Studies 7-8(1&2), pp.1-15. 

• [Omoera, O.S.] Inegbeboh, B.O. & Omoera, O.S. 2011. “Semiotics of the Orphan in Esan Performance Folktales.” The Tribal Tribune, 4(1). 

• Omoera, O.S.  & Aluede, C.O. 2011. “Extra-Theatrical Functions of Igbabonelimhin Music and Dance of the Esan” (pp.69-79), in D. Oni & S.E. Ododo (Eds.). Technical Theatre and the Performing Arts in Nigeria: Celebrating Olateju Wasee Kareem, Lagos: The National Association of Nigerian Theatre Arts Practitioners, Lagos & Centre for Black and African Arts and Civilization. Lagos, NIGERIA

• Omoera, O.S. 2011. “Reinventing Igbabonelimhin: An Icono-Cultural Emblem of the Esan.” Journal of the Nigeria Association for Semiotic Studies, 2, pp.49-63. Benin City, NIGERIA

• Omoera, O.S. 2011. “The Quest for more Effective Media and the Freedom of Information Act in Nigeria.” Applause: Journal of Theatre and Media Studies, 2(1), pp.85-95. Calabar, NIGERIA

• [Omoera, O.S.] Inegbeboh, B.O. & Omoera, O.S. 2010. “When Women Were Women: Esan-African Folktale Performance in Perspective.” International Journal of Film, Literary and Media Studies, 5-6 (1&2), pp.63-81. 

• [Omoera, O.S.] Ogie-Odia, E. & Omoera, O.S. 2010. “A Survey of Some Ritual and Cultural Plants of the Benins of Edo State.” Enwisdomization: An International Journal for Learning and Teaching Wisdom, 4 (3), pp.127-139. 

• [Omoera, O.S.] Okhakhu, M.A. & Omoera, O. S. 2010. “Media as Driver of Development: Reflections on the Edo State, Nigeria Experience.” International Journal of Film, Literary and Media Studies, 5-6(1&2), pp.12-22. 

• [Omoera, O.S.] Ibagere, E. & Omoera, O.S. 2010. “The Democratization Process and the Nigerian Theatre Artiste.” Studies of Tribes and Tribals, 8(2), pp.67-75. 

• [Omoera, O.S.] Okhakhu, M.A. & Omoera, O. S. 2010. “Broadcasting and Society: The Question of Functionality in the Nigerian Mediascape.” Journal of Black and African Arts and Civilization, 4(1), pp.71-86. 

• Omoera, O.S.  & Aluede, C.O. 2010. “Musical Theatre in the Aeonian Baroque: A Review.” Enwisdomization: An International Journal for Learning and Teaching Wisdom, 4(3), pp.140-150. 

• Omoera, O.S. & Awosola R.K. 2010. “Impact of Television Advertisement on the Knowledge Level of Urban Homemakers.” The Crab: A Journal of Theatre and Media Arts, 6, pp.97-104. 

• Omoera, O.S. 2010. “The Import of the Media in an Emerging Democracy: An Evaluation of the Nigerian Situation.” Journal of Social Sciences, 22(1), pp.33-38. 

• Omoera, O.S. 2010. “Theatre for Development in Rural Nigeria: The Andaha Community Experience.” AMA: Journal of Theatre and Cultural Studies, 5(1), pp.45-58. 

• Omoera, O.S.  & Atuegbe, C.O. 2010. “Packaging the Dramatic Contents of Igue Festival for National and International Audience: The Small Screen Option.” Emotan: A Journal of the Arts, 4, pp.61-69. 

• Omoera, O.S. & Ibagere, E. 2010. “Revisiting Media Imperialism: A Review of the Nigerian Television Experience.” The International Journal of Research and Review, 5, pp.1-18. 

• [Omoera, O.S.] Aluede, C.O. & Omoera, O.S. 2010. “Learning from the Past in Organizing Music Therapy Activities for the Elderly in Esan, Edo State of Nigeria.” Voices, 10(1), pp.1-10. 

• Omoera, O.S. 2010. “Broadcast Media in Family Planning in Rural Nigeria: The Ebelle Scenario.” Journal of Communication, 1(2), pp.77-85. 

• Omoera, O.S. 2010. “Potentials of the Television in Reinventing the Nigerian Tourism Industry.” EJOTMAS: Ekpoma Journal of Theatre and Media Arts, 3(1&2), pp.115-128. 

• Omoera, O.S, Awosola, R.A, Okhakhu, M.A & Adesina, A.A. 2010. “HIV/AIDS and the Broadcast Media in Urban Communities in Edo State, Nigeria.” The International Journal of Research and Review, 4, pp.1-15. 

• [Omoera, O.S.] Inegbeboh, B.O. & Omoera, O.S. 2009. “Influence of Sophocles’ Antigone on Elechi Amadi’s The Concubine.” International Journal of Film, Literary and Media Studies 3-4(1&2), pp.13-17. 

• Omoera, O.S. 2009. “Miscommunication in the Nigerian Print Media: An Analysis.” Reach: A Journal of the Institute of Mass Communication and Information Management of Nigeria, 2(1), pp.50-54.

• Omoera, O.S. 2009. “East African Theatre History in Perspective: A Review of the Major 20th Century Dramatic Temperament.” Journal of Arts and Education, 3(2), pp.65-71. 

• [Omoera, O.S.] Aluede, C.O. & Omoera, O.S. 2009.  “The Concept of Illness and Music Therapy among Members of Iyayi Society of the Esan, Edo State of Nigeria". African Journal for Physical, Health Education, Recreation and Dance, 15(3), pp.392-408. 

• Omoera, O.S. 2009. “Ideological Bankruptcy in Political Media Broadcast in Nigeria: An Appraisal of the 1999, 2003 and 2007 Presidential Elections Campaigns.” LASU Journal of Humanities, 6, pp.77-85.

• [Omoera, O.S.] Aluede, C.O. & Omoera, O. S. 2009. “Dancing off Illnesses: A Study of the Therapeutic Technique of the Dancing Prophets of the Esan, Edo State of Nigeria.” Awka Journal of Research in Music and the Arts, 6, pp.13-20.  

• Omoera, O.S. 2009. “Video Film and African Social Reality: A Consideration of the Nigeria-Ghana Block of West Africa.” Journal of Human Ecology, 25(3), pp.193-199. 

• Omoera, O.S. 2008. “Linguistic Gaffes in the Nigerian Media Newscast: An Exploratory Discourse.” EJOTMAS: Ekpoma Journal of Theatre and Media Arts, 2(1&2), pp.54-61. 

• Omoera, O.S. 2008. “Igue Ceremony as a Theatrical Experience: An Appraisal.” Studies of Tribes and Tribals, 6(2), pp.111-115. 

• Omoera, O.S. 2008. “A Taxonomic Analysis of the Benin Video Film.” Ijota: Ibadan. Ibadan Journal of Theatre Arts, 2-4, pp.39-55. 

• Omoera, O.S. 2008. “Managing the National Film and Video Censors Board in Nigeria: Challenges and Promises.” International Journal of Current Research in the Humanities, 2, pp.51-62. 

• [Omoera, O.S.] Awosola, R.K. & Omoera, O.S. 2008. “Child Rights and the Media: The Nigerian Experience.” Studies on Home and Community Science, 2(2), pp.125-131. 

• [Omoera, O.S.] Eregare, E.A. & Omoera, O.S. 2008. “Staging the Story: The Mise en scène and the Nigerian Video Film.” Iroro: A Journal of Arts, 13(1&2), pp.41-49.

• Omoera, O.S. 2008. “Freedom of Information Bill, the Media and the Nigerian State: A Diagnostic Study.” International Journal of Current Research in the Humanities, 3, pp.59–68. 

• Omoera, O.S. 2008. “Advertising and the Logic of Creativity: An Assessment of the Copywriter’s Function.” Journal of Arts and Education, 2(2), pp.21–29. 

• Omoera, O.S. 2008. “Benin Visual Literature and the Frontiers of Nollywood.”International Journal of Multi-Disciplinary Scholarship (Special Issue- Motion Picture in Nigeria), 3-5, pp.234-248.

• Omoera, O.S.  & Awosola, R.K. 2008. “Child Abuse and Media: An Assessment of Oredo Local Government Area of Edo State Nigeria.” Pakistan Journal of Social Sciences, 5(1), pp.128-133. 

• Omoera, O.S.  & Awosola, R.K. 2008. “Radio Programmes and Audience Perception: A Study of “Una Good Morning Show” and “People Talk to People.” The Crab: Journal of Theatre & Media Arts, 4, pp.191- 200. 

• [Omoera, O.S.] Inegbeboh, B.O. & Omoera, O.S. 2008. “A Multidimensional Feminist Approach to the Study of Nigerian Proverbs and Gender.” International Journal of Film, Literary and Media Studies 1-2 (1&2), pp.13-27. Edmonton, CANADA

• Omoera, O.S.  & Aluede, C.O. 2008. “An Exploration of the String of Imagination in Art, Theatre and Life.” International Journal of Current Research in the Humanities, 1, pp.83-90. 

• Omoera, O.S. 2008. “Public Relations in a Growing Democracy: A Study of the Nigerian Situation.” Enwisdomization: An International Journal for Learning and Teaching Wisdom, 4 (1&2), pp.63-76. 

• Omoera, O.S. 2007. “Determinism and Fate in Greek/Nigerian Theatre: A Comparative Discourse on Sophocles’ Oedipus Rex and J.P. Clark’s Song of a Goat and Masquerade.” Iroro: A Journal of Arts, 12(1&2), pp.141-148. 

• [Omoera, O.S.] Obanor, M.N. & Omoera, O.S. 2007. “Refocusing Sexuality Education among Nigerian Adolescents: The Theatre Option.” Nigerian Journal of Educational Research, 7 & 8 (I&2), pp.30-40. 

• Omoera, O.S. 2006. “Community Radio in Africa:  An Imperative for Grassroots Development.” Iroro: A Journal of Arts, 11 (1&2), pp.256-263.  Ekpoma, NIGERIA 

• Omolola, Feyisara Sunday. 2017. “Significance of Digital Billboard Advertising in Ibadan Southwest Nigeria”. Journal of Ceramics and Environmental Design (JOCED), 4(1), pp.213-236.

• [Omolola, Feyisara Sunday] Oyinloye, Michael Abiodun and Omolola, Feyisara Sunday. 2016. “Pottery Reconstruction  Experiment: A Case Study of  Potsherds Recovered from Old Oyo National Park, Nigeria”. Journal of Media Educational Technology and Communications, 3(1), pp.19-23.

• [Omolola, Feyisara Sunday] Oyinloye, Michael Abiodun and Omolola, Feyisara Sunday. 2015. “Decline in Fine Art Teaching in Nigeria’s Secondary Schools of Ifo Local Government Area: A Danger to Technological Development in the Area. Journal of Media Educational Technology and Communications, 2(1), pp. 36-43. 

• Omotoso, Christopher Olurotimi. 2018. "Repositioning music education in Nigerian educational system". Okene Vocational Journal, (4), pp.159-163.

• Omotoso, Christopher Olurotimi. 2018. "Repositioning music education in Nigerian educational system". Okene Vocational Journal, (4), pp.159-163.

• Omotoso, Christopher Olurotimi. 2017. "Music teacher education, students' enrolment and sustainable development". ATABA: International Journal on Contemporary Issues, (4), 2.

• Omotoso, Christopher Olurotimi. 2017. "Preservation of Ebira musical instruments for posterity". Journal of Nigerian Music Education, (9), pp.102-111.

• Omotoso, Christopher Olurotimi. 2015. "Indigenous knowledge and dramaturgy of music: Oriki in perspective". Journal of Nigerian Music Education, (7), pp.119-125.

• Omotoso, Christopher Olurotimi and Ibidun, Reuben. 2014. "Redefining the status of music education in Nigeria Educational System." Journal of Nigerian Music Education, (6), pp.119-125.

• Omotoso, Christopher Olurotimi and Ikibe, Solomon. 2012. “Afro-Culture-Centred Musicological golden rhythmic applauses for the gazelle of the savannah at a golden age”. In A Gazelle of the Savannah. Edited by Osakue S.O. Adeyemi, S. and Benedict B. pp.566-575.

• Omotoso, Christopher Olurotimi. 2011. "Impact of western civilization on music culture of Africa: Nigerian music experience. In Western Civilization in Africa: The Pains and Gains. Edited by Ajayi, A. & Fabarebo, I. pp.205-216.

• Omotoso, Christopher Olurotimi and Oyaigbevwen, Felix. 2011. "Nonchalant attitude of the government towards implementation of music in primary and junior secondary education system." Okene Journal of Education, (4), pp.265-269.

• Omotoso, Christopher Olurotimi. 2009. "Textual and form analysis of music in Osanyin festival of Isaba, Ikole-Ekiti." Journal of Languages, Arts & Social Sciences, (6), pp.138-148.

• Omotoso, Christopher Olurotimi. 2007. "The place of music education in emerging UBE programme". Journal of Languages, Arts and Social Sciences, (5), pp.132-141.

• Omotoso, Christopher Olurotimi. 2004. "Manpower development in music education". Journal of Languages, Arts & Social Sciences, (3), pp.179-194.

• Omotoso, Christopher Olurotimi and Ogli, Godwi Ejembi. 2002. "Influence of music on Nigeria society." Journal of Languages, Arts & Social Sciences, (1), pp.151-156.

• Omotoso, Christopher Olurotimi. 2001. "The profile of a music teacher toward a successful music education programme in Nigeria". Journal of Nigerian Music Education, (2), pp.146-152.

• Otu, John and Kanghe, Raymond. 2016. “Under-representation of female characters in Nigerian cartoons”. The Studio: a journal of contemporary art practice and theory. ISSUE 2016.

• Otu, John and Iyabo, Tijani. 2016. “A critique of Kinsley Okoronkwo's Nuts strip”. Nigerian Design Review- Journal of Industrial Design. Vol. 5, August, 2016.

• Otu, John. 2015. “Rethinking the cartooning epistemology: A place for the female cartoonist in Nigeria”. Zaria Historical Research ZAHIR, 5(1), Department of History, Ahmad Bello University, Zaria.

• Otu, John, Oladesu Johnson, and Bimbo Stephanie Sani. 2015. “Artistic Activism in Nigeria Art: A course, A cause”. International Journal of Arts and Humanities (IJAH), pp.209-223,  Bahir Dar - Ethiopia Vol. 4(2), No. 14, April, 2015.

• Otu, John. 2015. “Need for gender neutrality in cartooning scholarship”. An International Journal of Language, Literature and Gender Studies (LALIGENS), pp.65-77, Ethiopia. Vol. 4 (2), No. 10, May, 2015.

• Otu, John and Oladesu Johnson. 2015. “Through a man’s eye: A woman’s cartooning dilemma. Ibadan journal of Sociology, Vol 2,

• [Otu, John] Kanghe, Raymond and Otu, John. 2015. “Africa's Endangered Art: Inept Africa, Opportunist West”. Nigerian Design Review, Vol. 4.

• Otu, John and Kanghe, Raymond. 2014. Loud drumming to deaf ears: a cartooning saga”. Environ, journal of Environmental Studies, 3(7 & 8). 

• Otu, John. 2012. “A critique of some forms and contents of biblical paintings of artists of the 14th to 17^th Century. The Nigerian Journal of Research and Production (A MULTIDICIPLINARY JOURNAL), 21(1), Enugu State University of Science and Technology, Enugu.

• Otu, John. 2010. “Nigerian cartooning and the Dearth of female Cartoonists”. The International Journal of Comic Art, 12(1), pp.275-287, Spring 2010.

• [Otu, John] Okachi, Emmanuel. W. and Otu, John. 2010. “The role of oral tradition in understanding the Esie soapstone sculpture”. ENVIRON: Journal of Environmental Studies, 2(12), pp.60-67, Faculty of Environmental Design, Ahmadu Bello University, Zaria-Nigeria.

• Otu, John and Ajibola, M.A. 2008. “The need to make Fine Arts a core subject to keep the nation’s culture alive”. The Journal of Art and Humanities, African Journal of Arts and Cultural Studies, 3(2), pp.99-109, University of Nigeria, Nsukka, Enugu State.

• Otu, John and Okachi, Emmanuel. W. 2008. “A Paradigmatic Study of the Characteristics of some Nigerian Cartoons in the Zaria”. Journal of Liberal Arts. 2(1), pp.308-317, Journal of the Faculty of Arts, Ahmadu Bello University, Zaria.

• [Otu, John] Okachi, Emmanuel. W. and Otu, John. 2008. “A critique of Uwa Usen’s sculptures”. The Studio; a journal of contemporary art practice and theory. Department of Fine Arts, Ahmadu Bello University, Zaria. Pp.90-97.

• Otu, John. 2007. “The use of black broken lines to depict figures and objects in Painting”. The Nigerian Journal of Research and Production, 11(2), pp.119-129 , Enugu State University of Science and Technology, Enugu.

• Otu, John. 2006. “The contextual transposition of selected proverbs into visual possibilities in Painting”. The Interdisciplinary Journal of Humanities and Social Sciences, 5(1), pp. 114-120,  Bayero University, Kano.

• Otu, John. 2006. “Is art now a monologue or still a dialogue?” Egghead, A Journal of Art. Special Edition, pp.68-70, Department of Fine Arts, Ahmadue Bello University, Zaria. 

• Oyinloye, M. A. 2016. “Nigerian wooden sculptures and their preservation in the National Museum Lagos, Nigeria”. Anistoriton, International Journal of Archaeology and Art History, 15, 2016.

• Oyinloye, M. A. 2016. “Cultural Heritage Preservation through the preventive Conservation Methods in the National Museum in Lagos, Nigeria”. Nyame Akuma: Society of Africanist Archaeologists (SAFA), 85, pp.114-124.

• Oyinloye, M. A. and Omolola, F. S. 2016. “Attitude of School Head towards Fine Arts Teaching in Ifo Local Government Area, Ogun State, Nigeria”. Journal of Media Educational Technology and Communications (JOMETEC), 3(1), pp. 32-41.

• Oyinloye, M. A. and Aremu, D. A. 2015. “Methods of Conserving Wooden objects in the National Museums in Lagos and Oron, Nigeria”. West African Journal of Archaeology, Journal of the Department of Archaeology and Anthropology, University of Ibadan, Ibadan, Nigeria, 45(1&2), pp.102 - 113. 

• Oyinloye, M. A. and Aremu, D. A. 2015. “Ethnographic study of wooden objects conservation: Focus on National Museums in Lagos and Oron, Nigeria”. West African Journal of Archaeology, Journal of the Department of Archaeology and Anthropology, University of Ibadan, Ibadan, Nigeria, 45 (1&2), pp.221-237. 

• Oyinloye, M. A. and Omolola, F. S. 2015. “Decline in Fine Art Teaching in Secondary Schools in Ifo Local Government Area: A danger to Technology Development”. Journal of Media Educational Technology and Communications (JOMETEC) 2(1), pp.36-43.

• [Oyinloye, M. A] Aigbonoga, S. O., Uzzi, F. O., and Oyinloye, M. A. 2015. “Aesthetics Development of Productivity”. Journal of Ceramics and Environmental Design, 2(1 & 2).

• Oyinloye, M. A. 2015. “Challenges in Conserving Soapstone in the National Museum Esie, Nigeria”. Nyame Akuma: Society of Africanist Archaeologists (SAFA), 83, pp.62-69.

• Oyinloye, M. A. and Uzzi, F. O. 2014. “Pottery Reconstruction Experiment Conducted on Potsherds Recovered from Old Oyo National Park, Nigeria”. Journal of Ceramics and Environmental Design (JOCED), 1(1), pp.51–62.

• [Oyinloye, M. A] Uzzi, F. O. and Oyinloye, M. A. 2014. “Art Tradition of Benin in Edo State of Nigeria”. Journal of Ceramics and Environmental Design (JOCED), 1(1), pp.139–150.

• Oyinloye, M. A. and Ijisakin, E. T. 2012. “Evaluating the Roles of Government and Cultural Administrators in Nigerian Museums”. Journal of Engineering & Environmental Studies, (OOU JEES), 4(1), pp.79–86.

• Oyinloye, M. A. 2012. “Conservation of Cultural Heritage in Nigeria’s Museums”. Nyame Akuma: Society of Africanist Archaeologists (SAFA), 77, pp.59-67.

• Oyinloye, M.A. 2010. An Enquiry into the Problems and Prospects of Esie National Museum: A Visual Art Perspective. In Art, Heritage and Humanity as bases for vibrant Socio-economic future, Esie Monument Festival Workshop Presentations, Speeches and Pieces 2005-2009, edited by Jolayemi D. Haytee pub., Nigeria, pp.125-144.

• Oyinloye, M. A. and Abodunrin, J. A. 2009. “Preservation and Conservation of Painting in Nigeria”. Journal of African Studies, 25 & 26, pp.95-106.

• [Oyinloye, M. A] Ijisakin, E. T., Oyinloye, M. A., and Ijisakin, Y. O. 2008. “Egyptian Arts in Comparison with other Africa Arts, South of the Sahara”. Africa: Journal of Contemporary Issues, 6(6), pp.60–72.

• Oyinloye, M. A. 2007. “Tracing the Root of Technology in Art: Nigerian example”. Journal of Environmental Technology (OOU JET), 1 & 2, pp.68-71.

• Oyinloye, M. A. 2006. “Reflections on Visual Arts Practice and the Nigeria Public”. Journal of Arts and Ideas, 10, pp.1-8.

• Oyinloye, M. A. 2004. “Influence of indigenous concepts on Academic Painters: Emphasis on Nigerian Seasoned Painters”. Journal of Arts and Ideas, 8, pp.41-52. 

• Sibanda Nkululeko. 2018. “Theatre training and performance as gender mainstreaming strategies in Zimbabwe: the case of Amakhosi Theatre Productions”. Theatre, Dance and Performance Training, 9(1), pp.68-80, DOI: 10.1080/19443927.2017.1397543

• Sibanda, Nkululeko. 2017. “Investigating the ‘politics of design’ in community theatre circles: the case of Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo).” Studies in Theatre and Performance, 37(3), pp.322-338, DOI:10.1080/14682761.2016.1217462

• Sibanda, Nkululeko & Gwaba, Privilledge Tatenda. 2017. “Locating scenography in theatre for development projects at the University of Zimbabwe: the case of ‘Safe Cities’ project”. Research in Drama Education: The Journal of Applied Theatre and Performance, 22(4), pp.525-536, DOI: 10.1080/13569783.2017.1358083

• Sibanda, Nkululeko. 2016. “Sites of Political and Cultural Resistance: Performance Spaces in Post-Independence Zimbabwean Theatre 1980-1990.” Dzimbahwe Journal of Multidisciplinary Research 1 (2).

• Sibanda, Nkululeko. 2015. “A Tale of Two Cities: Investigating the process of set design in community theatre in South Africa and Zimbabwe using Intuba Arts Development (Durban) and Bambelela Arts Ensemble (Bulawayo) as case studies.” Body, Space and Technology Journal, 12(2), pp.1-14: http://people.brunel.ac.uk/bst/vol14/nkululekosibanda/nkululekosibanda.pdf

• Sibanda, Nkululeko. 2012. “Seeking an Alternative to teaching Scenographic Theory: The University of Zimbabwe Theatre Legacy.” African Performance Review, 7(2), pp.35-53.

• Simbao, Ruth. 2017. "A Song of Uhuru and a difficult Dance": Anawana Haloba's Sound Memories of TAZARA. 

• Simbao, Ruth. 2017. "Located on an Oblique Slanting Line": Thania Petersen's Remnants. Exhibition text for Remnants (Everard Read Gallery, Cape Town, South Africa.

• Simbao Ruth and Hwati, Masimba. 2017. "Street Slang and Visual Improv": Gareth Nyandoro's Kuchekacheka (Armory Show, New York, 2017)

• Simbao, Ruth et al. 2017. "Reaching sideways, Writing Our Way The Orientation of the Arts of Africa Discourse". African Arts, 50(2), Summer 2017, pp.10-29. 

• Simbao, Ruth. 2017. "Situating Africa: Alter-geopolitics of Knowledge, or Chapungu rises", African Arts, 50(2), Summer 2017, pp.1-9 

• Simbao, Ruth. 2016. "Infecting the city: Site-situational performance and ambulatory hermeneutics". Third Text, 30, Issue 1-2, pp.1-26. 

• Simbao, Ruth. 2016. “Walking into Africa in a Chinese Way: Hua Jiming’s Mindful Entry”. In Afrique/Asie: réseaux, échanges, transversalités, edited by Dominique Malaquais and Nicole Khouri. Presses Universitaires de Rouen et du Havre. 

• Simbao, Ruth. 2015. “Blind Spots: Trickery and the ‘Opaque Stickiness’ of Seeing. Image and Text, 25, pp.175-191.   

• Simbao, Ruth. 2015. “Cleansing via the Senses as Eyesight Follows the Soul: Igshaan Adams’ Bismillah Performance”. In Igshaan Adams. Cape Town: Blank Projects. 

• Simbao, Ruth. 2015. “Kudzanai Chiurai: The State of the Nation”. In The Johannesburg Pavilion, Venice. Johannesburg: 133 Arts and the Joburg Art Fair. (Exhibition catalogue for the Venice Biennial). 

• Simbao, Ruth. 2015. Portraits of 'the deathlessness of cloth': Leonce Raphael Agbodjelou's Egungun Masquerade series. Cape Town: SMAC Gallery.

• Simbao, Ruth. 2015. “What Global Art and Current (Re)Turns Fail to See: A Modest Counter-Narrative of Not-Another-Biennial. Image and Text, 25, pp.261-286.

• Simbao, Ruth. 2014. Review of The Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life, edited by Okwui Enwezor and Rory Bester, New York, NY, Prestel. Social Dynamics: A Journal of African Studies 40(3), pp.602-604.

• Simbao, Ruth. 2014. “Cosmological Efficacy and the Politics of Sacred Place: Soli Rainmaking in Contemporary Zambia”. African Arts, 47(3), Autumn 2014, pp.40-57.

• Simbao, Ruth. 2014. Exhibition Essay. “Performing Stillness in Order to move: Mohau Modisakeng’s Becoming”. Brundyn+ Cape Town.

• Simbao, Ruth. 2014. “When Backs are Turned: Process…Aftermath”. In Night Fighter: Time to Time, Text to text. (The divergence of Andrew Jeptha’s booklet in the exhibition Night Fighter) by Kurt Campbell. Cape Town: UCT, Michaelis School of Fine Art, pp.14-20.

• Simbao, Ruth. 2014. BLIND SPOT. Curated performance art programme including the following performances: 1) Mbali Khoza's 'What difference does it make who is speaking?' at the Eastern Star Press Museum; 2) Igshaan Adams's 'Bismillah' in the basement of the 1820 Settlers National Monument; 3) Mohau Modisakeng's 'Barongwa' at the Egazini Memorial in Fingo Village and 4) 'Everse' by Simone Heymans, Chiro Nott, Ivy Kulundu-Gotz and Joseph Coetzee at Victoria Primary School. Main programme of the National Arts Festival, South Africa.

• Simbao, Ruth. 2014. BLIND SPOT Performance Art Programme booklet. Grahamstown, Visual and Performing Arts of Africa. ISBN: 9780868104812, pp.1-28. 

• Simbao, Ruth. 2014. SLIP: Mbali Khoza and Igshaan Adams. Curated exhibition at the Albany Museum, Grahamstown.

• Simbao, Ruth. 2013. Curator of Making Way: Contemporary Art from China and South Africa. Standard Bank Gallery, Johannesburg. 20 January to 28 March 2013. (www.makingway.co.za).

• Simbao, Ruth. 2013. Performance brochure for Making Way. Grahamstown, Visual and Performing Arts of Africa. 

• Simbao, Ruth. 2013. Co-Editor of Third Text 27(3) special volume, “The Art of Change” (with Nomusa Makhubu). Third Text, 2013. “The Art of Change: Perspectives on Transformation in South Africa” co-authored with Nomusa Makhubu, Third Text, 27(3), pp.299-302.

• Simbao, Ruth. 2013. “Walking the Other Side: Doung Anwar Jahangeer”, Third Text, 27(3), pp.407-414.

• Simbao, Ruth. 2012. Making Way: Contemporary Art from South Africa and China. ViPAA: Grahamstown. pp.1-53.

• Simbao, Ruth. 2012. Curator of Making Way: Contemporary Art from China and South Africa. Main Programme of the National Arts Festival: Fort Selwyn, the Provost and the Alumni Gallery (Albany Museum), Grahamstown. (www.makingway.co.za)

• Simbao, Ruth. 2012. Exhibition catalogue: Making Way: Contemporary Art from South Africa and China. National Arts Festival. Grahamstown, ViPAA. ISBN 978-0-86810-477-5, pp.1-53.

• Simbao, Ruth. 2012. “O afropolitismo cosmolocal: novas geografias na arte contemporânea Africana”. In Gran?es Liçoes, edited by Clara Riso. Lisbon: The Gulbenkian Institute and Tinta da China, pp.167-205.

• Simbao, Ruth. 2012. “China-Africa Relations: Research Approaches”. African Arts, Spring 2012, pp.1-7.

• Simbao, Ruth. 2012. Book Review. “Tamar Garb, Figures and Fictions: Contemporary South African Photography”. Kronos: Southern African Histories. 38, November 2012, pp.272-275. 

• Simbao, Ruth. 2011. “Nandipha Mntambo’s Pause”. In Nandipha Mntambo. Standard Bank Young Artist Award catalogue essay. Stevenson Galleries, pp.9-23.

• Simbao, Ruth. 2011. “Mary Sibande”. In ARS II, Museum of Contemporary Art Kiasma, Finland. (English and Finnish).

• Simbao, Ruth. 2011. “Self-Identification as Resistance: Visual Constructions of “Africanness” and “Blackness” during Apartheid”. In Pissarra, M. (ed.). Visual Century: South African Art in Context, 1907-2007. Vol 3, pp.38-59. Johannesburg: Wits University Press.

• Simbao, Ruth. 2011. "The Proximity of Distance: A Topographic Diary of Sino-African Dialectics". JACANA: Journal of African Culture and New Approaches, 1, pp.8-21.

• Simbao, Ruth. 2011. “Talking Art at the Festival”, Art South Africa 10(1), Spring 2011, pp.20-21. 

• Simbao, Ruth. “Doing it for comfort”. In Artthrob online magazine. 2011. (http://www.artthrob.co.za/Reviews/Doing-it-for-Comfort.aspx)

• Simbao, Ruth. 2010. “Dialectics of Dance and Dress: The Performative Negotiation of Soli Girl Initiates (Moye) in Zambia”. African Arts, 2010.

• Simbao, Ruth. 2010. “Spier: Janus Face”. Art South Africa.

• Simbao, Ruth. 2010. “Cosmolocalism: The Audacity of Place”, CCA Lagos Newsletter.  http://www.mauricembikayi.com/CCA_Lagos_Newsletter_10[1][1].pdf

• Simbao, Ruth. 2010. ‘Symptoms of (Art) History: Diagnosing our Current Past’ in The Good Old Days edited by Clare Butcher. Denmark, Arhus Kunstbygning, 10-11. ISBN 978-87-92025-09-8. (English and Danish).

• Simbao, Ruth. 2010. Mary Sibande. MOMO Gallery, Johannesburg. 2010. (Essay also used for the National Arts Festival exhibition).

• Simbao, Ruth. 2010. “One Day, All of This Will Be Yours: James Webb at Blank Projects”. In Artthrob online magazine. 2010. (http://www.artthrob.co.za/Reviews/Review-of-One-Day,-All-of-This-Will-Be-Yours-by-Ruth-Simbao-at-blank-projects.aspx)

• Simbao, Ruth. 2010. “Zambian Dress”.  In Berg Encyclopedia of World Dress and Fashion, edited by Eicher, Joanne B. (Volume on African Dress). London: Berg Publications. 2010. Print edition ISBN: 978-1-84788-104-5. Online edition: bergfashionlibrary.com.

• Simbao, Ruth. 2009. “The Thirtieth Anniversary of June 16: Reading the Shadow in Sam Nzima’s Iconic Photograph of Hector Pieterson”. In Footprints of the "Class of 76": Commemoration, Memory, Mapping and Heritage, edited byHlongwane and Ali Khangela. Soweto: The Hector Pieterson Museum, 2009, pp.131-176.  ISBN: 978-0-620-41917-8.

• Simbao, Ruth. 2009. “(Im)moral Distance: Don’t Blink”. Art South Africa, 8(2), p.8

• Simbao, Ruth. 2009. (Portuguese and Spanish). “A cena Afri não é o que parece”, “El panorama Afri no es lo que parece”. PróximoFuturo (Next Future), 1, pp.22-25. Calouste Gulbenkian Foundation, Lisbon.(Translated into Portuguese by Inês Meneses).

• Simbao, Ruth. 2009. “Meshac Gaba and Bili Bidjocka”, Art South Africa, Summer.

• Simbao, Ruth. 2009. “Infecting the City” (Spier Performance Art festival). Art South Africa.

• Simbao, Ruth. 2009. Book Review. “Dungamanzi/Stirring Waters: Tsonga and Shangaan Art from Southern Africa”. De Arte. UNISA Press.

• Simbao, Ruth. 2009. “Umtshotsho: Nicholas Hlobo” (Review of 2009 Standard Bank winner). Artthrob online magazine. 2009. 

• Simbao, Ruth. 2008. “A Fish Out of Water: The Inland Migration of the Dona Fish to the Luapula Plateau, Zambia”. In Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora, edited by Drewal, Henry J. Bloomington: Indiana University Press, pp.156-169. ISBN: 978-0-253-35156-2.

• Simbao, Ruth. 2008. “‘Afri’ thing is not what is seems”. Art South Africa, 7(1), Spring 2008, pp.58-63.

• Simbao, Ruth. 2008. Exhibition Review. “Bernie Searle”. Art South Africa, 7(2), Summer 2008.

• Simbao, Ruth. 2007. “Credo Mutwa: Time Unraveller”. Art South Africa, 5(4), Winter 2007, pp.42-45. (Special edition on Afro-Futurism).

• Simbao, Ruth. 2007. “The Thirtieth Anniversary of June 16: Reading the Shadow in Sam Nzima’s Iconic Photograph of Hector Pieterson”. African Arts, 40(2), Summer 2007, pp.52-69.

• Simbao, Ruth. 2007. “Speaking in Tongues”. Art South Africa, 5(3), Autumn 2007, pp.62-65.(An article on the performance art of Zambian artist Anawana Haloba).

• Simbao, Ruth. 2007. Exhibition Review. “Cape ’07”. Art South Africa 5(4), Winter 2007, pp.64-65.

• Simbao, Ruth. 2007. Book Review. “Light on a Hill: Building the Constitutional Court”. De Arte, 2007, pp.86-88. .

• Simbao, Ruth. 2007. “Fresh: Artist’s Residency Program”. Nka: Journal of Contemporary African Art, 21, Fall 2007, pp.122 -123. Ithaca, NY: Cornell University.

• Simbao, Ruth. 2007. “Konse Kubili: Kalinosi Mutale and Anawana Haloba”. Nka: Journal of Contemporary African Art, 21, Fall 2007, pp.124-125. Ithaca, NY: Cornell University.

• Simbao, Ruth. 2007. “I Ka Nyé Tan: You Look Beautiful Like That”. In Elizabeth Harney (ed.). Flava: Wedge Curatorial Projects (1997-2007). Toronto, Wedge Curatorial Projects, pp.16-23. ISBN: 978-0-9783370-0-1.

• Simbao, Ruth. 2006. “Weighing Masculinity”. Art South Africa, 5(2), Summer 2006, pp.38-39.

• Simbao, Ruth. 2006. “A Crown on the Move: Stylistic Integration of the Luba-Lunda complex in Lunda-Kazembe Performance”. African Arts, 39(3), Autumn 2006, pp.26-41 and pp.93-96.

• Simbao, Ruth. 2006. “National Arts Festival”. Art South Africa, 5(1), Spring 2006, pp.66-67. (Review of three exhibitions: Churchill Madikida, Zola Toyi and the Figuring Faith exhibition curated by Wits University Gallery and WISER). Cape Town: Bell Roberts Press.

• Simbao, Ruth. 2006. “AmaNdebele”. De Arte 74, 2006, pp.61-64. (Review of AmaNdebele by Peter Magubane and Sandra Klopper, 2005). UNISA Press.

• Simbao, Ruth. 2004. “Dancing the line as we wave the old year goodbye”. Art South Africa, 2(3), Autumn 2004, pp.18-21.

• Simbao, Ruth. 2005. “Lechwe Trust Collection”. African Arts, 38(3), Autumn 2005, pp.78-80.(Review of Zambian art exhibited at the Lusaka National Museum. Artists included Trevor Ford, Laurey Nevers, Agnes Buya Yombwe, Style Kunda, Henry Tayali, Lutanda Mwamba, Dean Nsabashi, Geoffrey Phiri, Stephen Kappata, Patrick Mweemba, Godfrey Setti, Raphael Mutulikwa,,Lutanda Mwamba, Mulenga Chafilwa and Shadreck Simukanga).

• Simbao, Ruth. 2004. Exhibition Review. “Mwamenezili (The Way It Is)”. African Arts, 37(2), Summer 2004, pp.81-83 and p.96. Artists Geoffrey Phiri and Friday Tembo, Lusaka, Zambia.

• Simbao, Ruth and Annear, Christopher M. 2004. “Hansen, Salaula: The world of Secondhand clothing and Zambia”. International Journal of African Historical Studies, 37(1), pp.172-174.

• Simbao, Ruth. 2003. Review of “Co-existence: Contemporary Cultural Production in South Africa. (Rose Art Museum, Brandeis University, Massachusetts). In NKA: Journal of Contemporary African Art, 18, Spring/Summer 2003, pp.92-93.

• Simbao, Ruth. 2002/2001 Post-graduate Student Representative for Curatorial Meetings. Fogg Museum, Harvard University.

• Simbao, Ruth. 2001. Panya Clark Espinal: The Visitor. Toronto: Oakville Galleries.

• Simbao, Ruth. 2001. Panya Clark Espinal: The Visitor. Toronto, Oakville Galleries. ISBN: 1-894707-02-8, pp.1-31.

• Simbao, Ruth. 2000. “Odd Bodies,” exhibition essay for Odd Bodies exhibition, curated by Diana Nemiroff, National Gallery of Canada. Ottawa, Canada, 2000. (The exhibition also toured to Edmonton and Toronto, Canada).

• Simbao, Ruth. 2000. Curator of Contaminated Symptoms: Photo-based works. Oakville Galleries. Toronto, Canada.

• Simbao, Ruth. 2000. “Contaminated Symptoms: Photography from the Permanent Collection,” exhibition essay for the exhibition Contaminated SymptomsthatI curated as Guest Curator at Oakville Galleries, Toronto, Canada.

• Simbao, Ruth. 2000. Curatorial Internship (contemporary art) at the National Gallery of Canada.

• Simbao, Ruth. 2000. “William Kentridge: Weighing… and Wanting,” exhibition essay for Canadian tour of William Kentridge: Weighing…and Wanting (from the Museum of Contemporary Art, San Diego), Art Gallery of Ontario, Toronto, Canada.

• Simbao, Ruth. 2000. “A Deadly Explosive on her Tongue: White Artists/Black Bodies”. Third Text, 50, Spring 2000, pp.45-60.

• Simbao, Ruth. 2000. “There’s a Bomb in this Exhibition: Kendell Geers Charged”. Parachute: Revue d’Art Contemporain/Contemporary Art Magazine 99, July–September 2000, pp.30-40.

• Simbao, Ruth. 2000. “Seydou Keita: Mid-Century Modern”. Mix Magazine, 26(2), Fall 2000, p.51.

• Simbao, Ruth. 1999-2000. “Stan Douglas: A Persistent Seam in the Loop”. Fuse Magazine: Art Media Politics, 23(1), Winter 1999-2000, pp.42-44. (Artist Stan Douglas,Power Plant gallery, Toronto, Canada).

• Simbao, Ruth. 1999. “Crossings: Transnational Echoes and the Proximity of Distance”. Third Text, 46, Summer 1999, pp.97-100. (Discussion on issues of diaspora based on the Crossings exhibition).

• Simbao, Ruth. 1999 “Crossings,” Parachute: Revue d’Art Contemporain/Contemporary Art Magazine 95, July - September 1999, pp.44-45. Montreal, Canada. (Review of the Crossings exhibition curated by Diana Nemiroff, National Gallery of Canada. Artists included Yinka Shonibare, Alfred Jaar, Jana Sterbak, Jin-Me Yoon, Xu Bing, Cai Guo-Qiang, Maria Magdelena Campos-Pons, Carlos Capelan, Mona Hatoum, Jimmie Durham, Ilya Kabakov, Kcho, Lani Maestro, Vong Phaophanit, Rirkrit Tiravanija).

• Simbao, Ruth. 1999. “Displacements,” Lola, 4, Summer 1999, p.52. Toronto, Canada. (Review of Displacementscurated by Jesica Bradley, Art Gallery of Ontario. Artists in the exhibition: Rachel Whiteread, Doris Solcedo, and Miroslaw Balka).

• Simbao, Ruth. 1999. Curatorial Internship (contemporary art) at the Art Gallery of Ontario, Toronto, Canada.

• Simbao, Ruth. 1999.Curator of Joseph Beuys Multiples, 1999Art Gallery of Ontario (AGO), Toronto, Canada.

• Simbao, Ruth. 1999. Oakville Galleries, Canada. Curatorial Assistant for the “Donald Lloyd McKinley” exhibition of furniture design.

• Simbao, Ruth. 1998-9. “Contemporary South African Art: 1985-1995,” Third Text 45, Winter 1998-1999, pp.104-106. (Review of exhibition catalogue South African Art: 1985-1995)

• Simbao, Ruth. 1998. “Remember, Re-member: The role of memory in South African Art”. In  Issues in Contemporary African Art, edited by Nzegwu, Nkiru.  Binghamton: The International Society for Studies in Africa, 1998, pp.155-171.  

• Titus, Olusegun Stephen and Titus, Rachel Obonose. 2018. “Jimi Solanke and Ebenezer Obey’s Music on Environmental Degradation and Flood Disaster in Ibadan, Nigeria”. Polymath: Aa interdisciplinary Arts and Sciences Journal, pp.111 – 130.

• Titus, Olusegun Stephen. 2017. “From Social Media Space to Sound Space: Protest Songs during Occupy Nigeria Fuel Subsidy Removal”. Muziki Journal of Music Research in Africa, 42(2), pp.109-128.

• Titus, O. S. 2015. “Oral Performance of Iregun Music in Yagbaland, Kogi State, Nigeria”. Epiphany Journal of Trans-disciplinary Studies, 8(1), pp.1-23. Faculty of Arts and Social Sciences, International University of Sarajevo, Bosnia and Herzegovina.  

• Titus, O. S. 2015. “The Role of Music in Olokogbe Festival in Ponyan Community”. Ife Journal of the Institute of Cultural Studies, Vol. 13, pp.23-34. Obafemi Awolowo University, Ile-Ife.

• Titus, O. S. 2015. “The Roles of Music and Print Media in 1959 General Elections in Western Region of Nigeria”. Journal of the Society for Peace Studies and Practice (SPSP), 1(4).  

• Titus, O. S. 2015. “Social Function of Ibadan City Anthem”. Papers in English and Linguistics Journal, 16(1), pp.170 -182. Department of English, OAU Ife.

• Titus, O. S. 2014. “Textual Analysis of Selected Songs that Address Issues of Food Security Awareness in Nigeria”. Nigerian Music Review, Vol 13, pp.24-36. OAU Ile-Ife.

• Titus, O. S. and Bello, O. A. 2013. “Music in Politics: A Critical Examination of 2007 and 2011 General Elections in Nigeria”. Nigerian Music Review Journal,No 11 and 12, pp.127- 140. Department of Music OAU Ile-Ife Osun State Nigeria.

• Titus, O. S. and Ibidun, R.O. 2012. “Iregun Music and the Expression of Indigenous Knowledge in Yagbaland”. International Journal of the Institute of African Studies, Vol 12, pp.34- 45. University of Nigeria, Nsukka.

• Titus, O. S. 2012. “Music Performance for Political Mobilisation and Violence during 2011 General Elections in Nigeria”. African Journal of Peace and Security, 1(1), pp.56-67. Center for Peace and Strategic Studies, University of Ilorin. 

• Titus, O. S. and Bello, Omotoyosi Abayomi. 2011. “Ìrègún Music and the Promotion of Peaceful Co-Existence among Yagba People in Kogi State, Nigeria”. IRCAB: International Journal of Social and Management Sciences, 1(1), pp.291-299 

• Tumusiime, Amanda. 2018. first word “Our Voice of Africa”: It is less than our voice Without a Woman’s Voice”. African Arts, 51(2).                                                              

• Tumusiime, A. 2017. "Alex Baine's women's emancipation: A visual archive of the history of a new generation of women in Uganda". African Arts, 50(2), Summer 2017, pp.58-67. 

• Tumusiime, Amanda. 2017. "Re-reading the warps and wefts in Trowell’s mother and child print: Debates and contests". Start Journal. 

• [Tumusiime, Amanda] Kakande, A. & Tumusiime, A. 2016. "Ceramics as a voice for the protection of the environment: On art, eco-activismand the flower in ceramic art in Uganda". CPAN: Journal of Ceramics, ISSN: 0189-8833

• Tumusiime, A. 2015. "Feminising the HIV/AIDS pandemic? Contemporary Ugandan art and the construction of the new woman as a seropositive vampire". The Humanities and Africa’s contemporary challenges. Nigeria, Delta State University Press.

• Tumusiime, A. 2015. "Unshackling women’s sexuality? Miniskirts, the Law, and the media in Uganda". In Contested intimacies: Sexuality, Gender and the Law in Africa, edited by D. Higginbotham and V. Collis-Buthelezi. Published in Cape Town.   

• Umoru-Oke, Nanashaitu. And Fajuyigbe, M.O. 2010. The Influence of Pottery Tradition of the Department of Fine Arts, Obafemi Awolowo University, Ile-Ife: Development, Techniques and Innovation. In Contemporary Issues in Nigerian Art: Its History and Education. Department of Fine Arts, Obafemi Awól??w? University, Ile-Ife.

• Umoru-Oke, Nanashaitu. 2010. “Risawe’s Palace, Ilesa Nigeria: Traditional Yoruba Architecture as Socio-Cultural and Religious Symbols. African Research Review, 4(3).

• Umoru-Oke, Nanashaitu. 2007. “Traditional Pottery Making in Southern Nigeria: A Review of the Firing Procedures”. Ashakwu Journal of Ceramic, Nigeria.

• Umoru-Oke, Nanashaitu & Aremu P. S. O. 2006. “Anonymity and Timelessness In African Art: A General Overview”. In Reflections, Society of Nigerian Art, Oyo State Chapter.

• Umoru-Oke, Nanashaitu. 2006. ”The Techniques of Traditional Yoruba Pottery Making in Dada Pottery Centre, Ilorin, Nigeria”. Emotan: A Journal of the Arts, Department of Fine and Applied Arts, University of Benin. 

• Umoru-Oke, Nanashaitu. 2005. “Sculptural Creativity of the Pottery Art of Ife School”. Africa: Journal of Contemporary Issues, LAUTECH Ogbomoso.

• Umoru-Oke, Nanashaitu. 2002. “Traditional Hand built Pottery, Ilorin: Case Study of Madam Salumi Olatundun”, Journal of Arts and Ideas (J.A.I. Department of Fine Arts, Obafemi Awolowo University, Ile-Ife.

• Umoru-Oke, Nanashaitu. 2001. “Meanings and Significance of Osun Symbols”. Journal of Arts and Ideas (J.A.I. Department of Fine Arts, Obafemi Awolowo University, Ile-Ife.

• Yussif, Iddrissu, Vesta E. Adu-Gyamfi and Emmanuel Tabi-Agyei. 2018. "Documentation of some identified traditional pottery decorative techiniques in Northern Ghana". Asian Research Journal of Arts & Social Sciences, 6(3), pp.1-11. 

• Yussif, Iddrisu, Saaka Sulemana and Mohammed Sadiq. 2018. "Projecting the ignored: some functions and contexts of traditional pottery in Naakpili community in Northern Ghana". International Journal of Advanced Research, 6(3), pp. 125-130.

• Yussif, Iddrisu and Adu-Gyamfi, Vesta E. 2017. "Concepts of some indigenous pottery decorative techniques in Northern Ghana". European Scientific Journal Newsletter, 13(3), p.77.

Last Modified: Mon, 13 May 2019 10:07:15 SAST